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Comics: Frank Frollo, Artist and Art Director

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Today is Veterans Day.

Courtesy of 63rd Infantry Division, Blood and Fire

Frank Joseph Frollo was born on February 4, 1915, in the Bronx, New York, according to his World War II draft card. 

In the 1915 New York state census, Frollo (line 37) was the only child of Rocco, an Italian immigrant, and Mary, a New Yorker. They were Bronx residents at 760 Trinity Avenue. 


On June 5, 1917, Frollo’s father signed his World War I draft card. His Bronx address was 885 Union Avenue. 

The same address was recorded in the 1920 census. Frollo is on line 47. 


Frollo’s father applied for a passport which was issued on July 20, 1922. The family intended to depart aboard the steamship Conte Rosso on August 10, 1922.



On April 1, 1923 the Frollos (lines 4 to 6) returned to New York. They departed aboard the same steamship from Naples, Italy on March 21, 1923.


According to the 1925 New York state census, the Frollos’ Bronx address was 796 East 161st Street (lines 40 to 43). Also in the household was Frollo’s uncle.


The 1930 census counted Frollo (line 12) and his parents in the Bronx at 845 East 228th Street. 


It’s not known which schools Frollo attended. Who’s Who of American Comic Books 1928–1999 said Frollo studied at the Art Students League and Famous Artists School which was founded in 1948. 

The Catalog of Copyright Entries, Part 4, Works of Art, Etc., 1935, New Series, Volume 30, Number 4, published the following entry. 
Frollo (Frank)* 8335
Adventures of newsreel cameramen. © 1 c. Nov. 8, 1935; G 21163. 
“Adventures of Newsreel Cameramen” appeared in Funny Picture Stories, #3, January 1937, and #6, April 1937. 

In The Comics Journal #261, June–July 2004, Ron Goulart asked Gill Fox about the artists in Harry “A” Chesler’s studio. 
“OK, Frank Frollo sat behind me,” he said. “In front of me was Paul Gustavson. Then there was Charlie Biro, Bob Wood ... Ken Ernst was there briefly, not too long. Running the place, about six months after I’d been there, was Jack Binder. Jack Cole was there ... the kid, Fred Schwab. Rafael Astarita. Oh, and Fred Guardineer.”
Who’s Who said Frollo was also in the studios of Eisner and Iger, Binder, Funnies Inc., and Iger. Many of Frollo’s credits are at the Grand Comics Database

The New York Times, December 9, 1939, said 
Frank Frollo, commercial artist, has joined the advertising staff of the S. & S. Corrugated Paper Machinery Company, Inc., Brooklyn, as assistant advertising manager.
The 1940 census said Frollo (line 19) lived with his parents at the same address. His occupation was artist for picture magazines. He completed four years of high school and earned $936 in 1939. 


Frollo and Emily E. Bongiorno obtained, in the Bronx, marriage license number 11819. The date of their marriage is not known.

On October 16, 1940, Frollo signed his World War II draft card. His address and employer were unchanged. Frollo was described as five feet eleven inches, with brown eyes and hair. 


Frollo created the super-heroine Blue Lady who debuted in Amazing-Man Comics #24, October 1941. 


Frollo enlisted on August 17, 1943. He served in the Army’s M Company, 255th Infantry Regiment, 63rd Infantry Division. Frollo’s son provided photographs of his father and his mural at their website here and here. Frollo was a technician fifth grade. Frollo’s veteran’s file (transcribed at Ancestry.com) said he served from September 1, 1943 to April 22, 1946.

A 1947 issue of Printers’ Ink said Frollo worked on a comic strip for Arthur Davis, head of Arthur Davis Associates. 

The 1948 New York, New York city directory listed Frollo at 41 Bennett Avenue in Manhattan. 

In 1950, Frollo, his wife and son lived in Manhattan at 701 West 189 Street, apartment 4E. He was a freelance commercial artist. The same address was in the 1960 Manhattan directory. 


At Charlton, Frollo was one of the art editors on Fantastic Science Fiction, August 1952. His art appeared in several Charlton Comics from 1952 to 1956. Below are two illustrations from True Life Secrets #11, January 1953.


... Frank Frollo, formerly Art Director of Grayson-Robinson Stores, has been named Art Director at Sales Letters Inc. ...
Who’s Who said Frollo had an advertising agency, FAA Advertising, from 1962 to 1971. Actually, his agency started earlier and operated out of his home. FAA Advertising was mentioned in Automotive News, April 26, 1954. 
Brach Mfg. Corp., 200 Central ave., Newark 4, N. J. Auto radio antennas. FM and TV antennas. Leon 8. Brach, pres.; Ira Kamen, vice-pres.; J. B. Cejka, vice-pres. and cf. engr.; A. Ashcroft, pur. agt. Det. Rep.—8S. Kehoe, 719 Fisher bldg., Detroit, Mich. Adv. Agcy.—FAA Advertising, 701 W. 189th st., New York City.
Who’s Who said Frollo was an art director at Allied Leathercraft in the 1970s. There was no such company in New York but there was an Allied Lettercraft Company that was founded in 1926 according to an advertisement in The Literary Market Place 1945. At the time the company specialized in multigraphing, mimeographing, addressing and mailing for publishers’ promotion. Similar services were offered in the 1970s. The MIMP 1980 said the company was located at 307 West 36th Street in Manhattan. 

Frollo passed away on October 12, 1981, in New York City.


Further Reading and Viewing
The Charlton Comics Reading Library, Space Adventures #9, Winter 1954 
Heritage Auctions, oil painting, original comic art here and here
Charlton Companion, Charlton Comics Forgotten Artists


(Next post on Monday: The 1930 Hi-O-Hi Yearbook)


Lettering: The 1930 Hi-O-Hi Yearbook

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Oberlin College, Ohio
Lettering by Marion Mack



















































(Next post on Monday: Harry “A” Chesler, Advertising, Publishing, Tobacco, Beer, Kola and Comic Books)

Comics: Harry “A” Chesler, Advertising, Publishing, Tobacco, Beer, Kola, Real Estate, and Comic Books

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1920

Harry “A” Chesler was born “Henry Chester” on January 10, 1898, in Jersey City, New Jersey according to a reissued birth certificate, dated July 20, 1914, from the Board of Health and Vital Statistics. Maybe the clerk in 1898 misheard the surname as Chester and the error was copied in 1914. The birth certificate was attached to Chesler’s 1920 seaman’s application. 


Sometime after Chesler’s birth, his parents, Benjamin and Ida, took him and his older sister, Lillie, to Lithuania where his sister, Sadie, was born on March 14, 1900. On April 5, 1903, Chesler’s mother and her children were aboard the steamship Rotterdam when it departed Rotterdam, Netherlands. The passenger list recorded the family name as Czesler (lines 7 to 10). The family arrived at the port of New York on May 5, 1903. They were going to 38 Borden Street, in Newark, New Jersey, where Benjamin was.


The 1905 New Jersey state census counted the family (lines 35 to 39) in Newark at 96 Barclay Street. Also in the household was Morris Horowitz, likely related to Ida whose maiden name was Horowitz or Hurwitz.


In the 1910 United States Census, the family were East Orange, New Jersey residents at 52 Main Street. 


The Newark Evening Star (New Jersey), September 26, 1913, reported Chesler’s request for police help.


The Cheslers address in the 1915 New Jersey state census was 50 Main Street. Seventeen-year-old Chesler was a clerk. 


The Evening Star, January 11, 1915, said Chesler was the treasurer of the Young People’s Hebrew Association, a social club.

The Submarine Boat Corporation, in Newark, New Jersey, published its weekly news magazine, Speed-Up, beginning in 1918. Chesler was a contributor from April to June. 

On September 12, 1918, Chesler signed his World War I draft card. His address was 1493 Zerega Avenue in the Bronx, New York. His birth information matched the reissued birth certificate information. His description was slender build, medium height, with brown eyes and hair.


Chesler was a machine operator at the Hercules Powder Company, in Nitro, West Virginia


The 1920 census, enumerated in early January, recorded Chesler, his parents and younger sister in the Bronx at 2363 Lyon Avenue. He was a grocery salesman. 


Four months later on April 22, 1920, Chesler filled out the Applications for Seaman’s Certificate of American Citizenship. (National Archives description) He signed the application the next day. His address was 600 West 133rd Street in Manhattan. It’s not known how long he was employed. 


The Cuyahoga County, Ohio, Marriage Record, at Ancestry.com, said Chesler and Betty H. Northay married on January 4, 1921. Chesler’s name was recorded as “Harry A. Chester”. His address was 1463 East 100th Street, in Jersey City, New Jersey. Chesler was a correspondent. 


In 1921 Chesler was appointed advertising manager of the Morristown Jerseyman in New Jersey.  His role continued in 1922. In 1922 Chesler did advertising work for Newark, New Jersey. 

Chesler’s sons, Harry Jr., was born on December 9, 1921 in Hackensack, New Jersey, and Arthur on January 26, 1923 in Newark, New Jersey.

Chesler pursued outdoor advertising. He placed a classified advertisement in The New York Times, April 1, 1923. 


According to the 1925 New York state census, Chesler, his wife, and two sons (lines 1 to 4) lived in Manhattan at 38-40 Sickles Street. Chesler worked in advertising.


Chesler was involved with tobacco according to Tobacco World, March 15, 1926. 

The 1930 census said Chesler was an advertising salesman. He resided in East Orange, New Jersey at 165 Park Avenue. 


The Evening Times (Trenton, New Jersey), September 13, 1931, said Chesler leased the property at 29 Whittier Avenue. The Evening Times, September 28, 1931, said
Chesler & Company, moving here from Orange, have leased the Otto S., Martin property, 230 East Front Street, for occupancy about October 15. They are distributors for a nationally known bacon and butter products organization. The Front Street Street building is to be used for the main office, storage and garage of the concern. …

Harry Chesler, president of the concern, has moved his residence here, having leased the former Israel Cohn property on Whittier Avenue. 

Trenton was chosen as the main distributing centre because of its fine geographical position. Trucks will be operated out of here to Pennsylvania, Delaware and Maryland.
Chesler’s wife was mentioned in the Evening Times, March 6, 1932. 

Sometime in the 1930s, Chesler moved to Chicago, Illinois. It’s not clear if his family joined him. Advertising Age, March 17, 1934, said Chesler had an office in Chicago’s Wrigley Building. He was behind the promotion of King-Kole beer. 

The 1940 census said Chesler was in Chicago in 1935. The New York Times, September 12, 1976, profiled Chesler who explained his middle initial and recalled his start in comic books.
“Years ago, when I worked for The Philadelphia Public Ledger, everyone else had a middle name, so they gave me the ‘A.’ It stands for ‘anything,’ ...

“I moved into the comics business in New York in 1935, first at Fifth Avenue and 32d Street [sic] and then at Seventh Avenue and 23d Street. I commuted from Dover for $6.45 a week. We put out a 64‐page, four‐color comic book that sold for 10 cents. ...
“Besides about 75 of my own titles, we produced comics for some 50 different publishers. At one time, there were 40 artists working for me and I had 300 comic titles on the newstands.”
Editor & Publisher, January 23, 1937

Editor & Publisher, March 20, 1937, said
... Chesler Syndicate also publishes “Star Comics” and “Star Ranger,” both comic magazines in four color, distributed by Macfadden. Plans are afoot for a daily comic page in black and white, and a 24-page weekly tabloid of color comics. ...

There are 11 cartoonists in the 22-man organization. Three men do nothing but lettering for the artists, and special features writers prepare the continuity.

Enthusiastic about his shop, Mr. Chesler was reluctant to talk about himself. He said that he had been working on the idea for several years and that he has once been a salesman for the Dougherty Printing Company of Chicago for a short time.
In The New York Times article, Jim Steranko said
“One name, Harry ‘A’ Chesler, began to turn up with almost predictable frequency back in 1969, when I began a series of personal interviews with artists and writers. Chesler employed a staff that ranged from young kids who loved comics to older, syndicated newspaper strip men who couldn’t find a job anywhere else.

“Collectively, they helped launch ‘The Golden Age of Comics.’ They created a legion of super heroes and continued turning out a mountain of comic pages to satisfy the voracious hunger of demanding public.”
Who’s Who American Comic Books 1928–1999 and Grand Comics Database list the people associated with the Chesler Studio. 

The Catalog of Copyright Entries, Part 2, Periodicals, 1937, New Series, Volume 32, Number 1–4, had two titles by Chesler Publications. 
Star comics. © Chesler publications, inc. 8093
1937, no. 1, Feb. © Jan. 1; B 326036. 

Star ranger. inc. © Chesler publications, inc. 8094
1937, no. 1, Feb. © Jan. 1; B 326037.
In The Art of the Comic Book: An Aesthetic History (1996), Robert C. Harvey said
... Much of this material was created by the first comic art “shop,” which had been set up in the summer of 1936 by a farsighted entrepreneur named Harry “A” Chesler.

Chesler had been in advertising in Chicago, and when he saw comic books on the horizon, he realized that he could package material for an assortment of comic book publishers in the same manner that brochures were manufactured for different clients by advertising agencies. He recruited several writers and artists and set up his “shop,” a comic book factory that could produce stories … quickly and cheaply by using assembly-line methods. The Chesler Shop was a large room on the third or fourth floor of an old tenement building at 276 Fifth Avenue. ...
The building was not an old tenement. (That description was made by Joe Kubert who talked about the shop on West 23rd Street.) Its previous life began in 1890 as the Holland House, a luxe hotel at 30th Street. In 1920 it was converted into office space. According to Writer’s Digest, January 1937, Chesler’s office was in suite 605, and the editor was Ken Fitch

He set up his studio in a long, open workspace, last used by a wholesaler of buttons and zippers for the garment trade, on the fourth floor of 276 Fifth Avenue, a ten-story, half-block-long building north of Twenty-ninth Street. Chesler filled the room with rows of used desks, which were cheaper than drawing tables, and he lorded over the shop as if it were a gangland fiefdom ... 
At the same address, Chesler also revived comic strips such as Winsor McCay’s “Little Nemo in Slumberland” (drawn by McCay’s son) and Carl Schultze’s “Foxy Grandpa” (drawn by Charles Biro). 

One of Chesler’s clients was Centaur Publications at 220 Fifth Avenue corner of West 26th Street. 

In the 1940 census, Chesler’s home was in Manhattan at 612 West 137th Street. He was self-employed in the advertising trade. Chesler had four years of high school. 


The Catalog of Copyright Entries, Part 4, Works of Art, Etc., 1941 New Series, Volume 36, Number 1, had an entry for Chesler’s label. 
Chesler (Harry A.), trading as King Kole beverage co., New York. 2371 King Kola. For non-alcoholic beverage. © Oct. 1, 1940; KK 3473.
Scoop Comics #1, November 1941

Paths from 276 Fifth Avenue to 163 West 23rd Street

By 1941, Chesler moved his operations to the Traffic Building, 163 West 23rd Street. (Artist Edward Penfield had a studio at this address decades earlier. Carmine Infantino got his start at this location.) Chesler’s address was mentioned twice in Writer’s Digest, June 1941, here and here. Overseeing the comic books were his son, Harry “A” Chesler, Jr., publisher, Phil Sturm, editor, and Charles Sultan, art director. It’s not clear what Harry Jr. did as a comic book publisher. Artists and writers always talked about his father. 








Chesler’s mother passed away on July 18, 1941. 

On April 27, 1942, Chesler signed his World War II draft card. His home address was 600 West 136th Street. He was self-employed at 163 West 23rd Street. Chesler was described as five feet eleven inches, 198 pounds, with hazel eyes and black hair. He changed his birth date to January 12, 1897. Did he forget?


The Official Gazette of the United States Patent Office, August 28, 1945, had an entry for Chesler’s Dynamic Comics trademark application. 


In 1947, Chesler was busy finishing his Horse Shoe Lake Park

Editor & Publisher, May 14, 1949, said Chesler produced the Sportscaster newspaper. 

Chesler’s home in the 1950 census was on Kenvil Avenue, half-mile from Route 6, in Succasunna-Kenvil, Morris County, New Jersey. He managed a newspaper office. 


The December 1950 issue of The Writer had this entry. 
Harry A. Chesler, Jr., Features Syndicate—163 West 23rd St., New York, N. Y. Harry A. Chesler, Jr., Editor. Roughs for gags (finished drawings are done by own staff). Cartoons appealing to hunters and fishermen. Payment on acceptance.
Chesler’s son, Arthur, was the black sheep of the family. The Brooklyn Eagle, June 27, 1951, reported his crime here and continued here

Billboard, April 13, 1957, listed outdoor amusements including Chesler’s Horse Shoe Lake. 


In 1974 Chesler donated his comic book and comic strip collection to the Friendship Library at the Florham-Madison Campus of Fairleigh Dickinson University. After Chesler’s death, the university sold the collection, much to Steranko’s dismay.

Rocket’s Blast Comic-Collector #117, 1975

On July 5th, Chesler was a guest speaker at Phil Seuling’s 1974 Comic Art Convention. 


In 1977, Chesler’s sister, Sadie, passed away on April 8 and his wife, Betty, on October 16, 1977. 

In 1979, Chesler invited Steranko to attend the graduation ceremony at the Joe Kubert School of Cartoon Art

Chesler passed away on December 29, 1981, in Roxbury, New Jersey, according to the New Jersey Death Index at Ancestry.com. He was laid to rest at First Presbyterian Church Cemetery. An obituary was published in The Comics Journal #71, March 1982.

Chesler’s sister, Lillie, passed away on March 25, 1982. His sons, Harry, passed away on March 14, 1997, and Arthur on October 26, 1998. 


Further Reading
Library of Congress, Harry Chesler, Jim Steranko and Joe Kubert, 1973 photograph
The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America (2008)
The Comics Journal #172, November 1994, Joe Kubert Interview
Scoop, Harry “A” Chesler, Jr.
The Comics Journal #249, December 2002, Golden Age Sweatshops
Comic Book Resources, The Mystery of Harry A Chesler’s Phantom Ties to Feature Funnies
Digital Comic Museum, Chesler Comics
Field Guide to Wild American Pulp Artists, The explanation of Chesler’s birth and name is interesting but incorrect.


(Next post on Monday: Bruce Lee by Neal Adams)

Bruce Lee by Neal Adams

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Today is Bruce Lee’s birthday. 
The Way of the Dragon sketch by the late Neal Adams.
Purchased for $35 at the San Diego Comic-Con in the mid-1970s
































Further Viewing

Related Posts


(Next post on Monday: Jack Meltzer, Letterer, Artist, Art Director, Consultant and Graphic Designer)

Comics: Jack Meltzer, Letterer, Artist, Art Director, Advertising Consultant, Graphic Designer and Photographer

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Jacob “Jack” Meltzer was born on May 1, 1914, in the Bronx, New York, New York, according to the New York, New York Birth Index at Ancestry.com. His parents were Samuel C. Meltzer and Ruth Weisberg. 

The 1915 New York state census said Meltzer (line 30) was the youngest of two brothers. The family of four were Bronx residents at 771 East 181st Street. His father was a post office employee. 


In the 1920 United States Census, the Meltzers (lines 87 to 90) resided in the Bronx at 765 Garden Street.


The same address was in the 1925 New York state census. Meltzer is on line 35. 


According to the 1930 census, fifteen-year-old Meltzer, his parents and two siblings lived at 2704 Kingsbridge Terrace in the Bronx. It’s not known which public schools he attended. The Berkshire Eagle (Pittsfield, Massachusetts), May 8, 1991, said he “completed his schooling with the Art Students League in New York City.”


Meltzer found work at Harry “A” Chesler’s comic book shop. The Grand Comics Database and Who’s Who of American Comic Books 1928–1999 said he did lettering circa 1936 to 1937. About the Chesler shop, Editor & Publisher, March 20, 1937, said 
There are 11 cartoonists in the 22-man organization. Three men do nothing but lettering for the artists, and special features writers prepare the continuity.
Meltzer may have been one of the three letterers. 

On April 25, 1938, Meltzer and Sylvia Ethel Litinsky obtained, in Brooklyn, marriage license number 6630. They married on May 1, 1938. 



The 1940 census counted Meltzer and his wife in his mother-in-law’s household. The address was 1303 East 40th Street in the Bronx. Meltzer was a commercial artist who earned $1,440 in 1939. His highest level of education was the fourth year of high school. 


On October 16, 1940, Meltzer signed his World War II draft card. His description was five feet six inches, 152 pound, with brown eyes and hair. The freelance artist’s address changed several times. 


The Grand Comics Database credits Meltzer and Bill Madden for the “Chuck” art in Super-Mystery Comics, volume 5, number 2, October 1945. “On second page there are paper signs behind the bar reading: ‘Meltzer Seltzer’ and ‘Maddy-Delight’.”


According to the 1950 census, Meltzer and his wife had two daughters, Isabel and Leslie. Also in the household was his mother-in-law. They lived in Manhattan at 251 West 71st Street. Meltzer was an advertising director at a radio advertising company.


The Berkshire Eagle said
Mr. Meltzer was a free-lance art director, advertising consultant and graphic layout artist, contracting with several major corporations.

He was an accomplished artist in both writing and painting and a prolific photographer. 

He moved to Stockbridge in May 1989 from Huntington, L.I., where he had been a founder of the Huntington Art League. [He probably knew Creig Flessel.] 
Meltzer passed away on May 7, 1991, in Pittsfield, Massachusetts. An obituary appeared in the Berkshire Eagle, May 8, 1991. 


(Next post on Monday: Design & Layout)

Typography: Design & Layout

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Printing Art, October 1920




































(Next post on Monday: Alice Kirkpatrick, Artist)


Comics: Georgette Sauterel, Penciler, Inker, Letterer, Engineer and Physicist

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Georgette Sauterel Egan, 1966

Georgette Louise Sauterel was born on September 15, 1922, in Manhattan, New York, New York, according to the New York, New York Birth Index at Ancestry.com.

Sometime after Sauterel s birth, her parents traveled to Europe. On September 1, 1925, Sauterel (line 2) and her mother were aboard the steamship De Grasse when it departed from Le Havre, France. They arrived in the port of New York on September 28, 1925. Her father was at 331 West 50th Street in New York City. 


Sauterel has not yet been found in the 1930 United States Census. 

The 1940 census counted Sauterel (line 47) and her parents, George (a waiter) and Lucienne (dress designer), in Forest Hills, Queens at 3131 54th Street. Sauterel had four years of high school and attended college.


It’s not clear exactly when Sauterel worked in the comic book industry. Women and the Comics (1985) said 
Most of the women in the comic book shops of the 1940s worked in outfits run by Jack Binder, Lloyd and Grace Jacquet, Eisner-Iger (later Iger-Roche), or Harry “A” Chesler. It was Chesler who had acted as an agent for the work of Corinne Dillon, Jean Hotchkiss and Claire Moe in the late thirties. Female artists who worked in his shop include Ann Brewster and Georgette Sauterel, but neither stayed long. Sauterel did the bulk of her work for the Binder shop and Brewster, who under Chesler’s direction did “Yankee Girl” for Dynamic, soon left to join her there. Jack Binder’s comic book art factory was located in Englewood, New Jersey. There he and his staff produced an abundance of material for Fawcett and Street & Smith comic books between 1940 and 1943. The women he employed—Ann Brewster, June Hill, Gloria Kamen, Betty Kathe, Pauline Loth, Georgette Sauterel and Marcia Snyder ...
On July 23, 1943, Sauterel and Wilbourn R. Mayo obtained, in Queens, marriage license number 5681. They married the next day. 



The marriage ended in divorce. Mayo (1920–1990) remarried. 

On June 9, 1944, Sauterel enlisted in the Women’s Army Corps. She was a draftsman. 


At some point Sauterel moved to Tulsa, Oklahoma where she married Daniel G. Egan on August 18, 1948. 


In the 1950 census, the couple (lines 24 and 25) were Tulsa residents at 334 South Gale. Sauterel was a typist at a chemical laboratory. Her husband was a petroleum engineer.


In the 1960s, Sauterel continued her education at Arlington State College in Texas. She graduated from the University of California at Los Angeles in 1966. She was listed in the commencement program
Georgette Sauterel Egan, Physics—Rolling Hills Estate
Women in Physics (1972) published a roster of women physicists. 
Egan, Georgette S., BA/BS
16390 Buchet Dr., Granada Hills, Calif. 91344
Sauterel was employed at Hughes Aircraft Company. Her patent was published in the Official Gazette of the United States Patent Office, May 21, 1974 and August 13, 1974. (also see Google Patents

Industrial Research, August 1977, published Sauterel’s paper “Hot Spots in Electronic Circuits”. 

Sauterel’s father passed away on April 13, 1974 in Florida. According to the California Death Index, at Ancestry.com, her mother passed away on August 12, 1982. 

Sauterel’s husband, Daniel, passed away on August 9, 1993 in Sarasota, Florida. An obituary appeared in the Crowley Post-Signal (Louisiana), August 11, 1993. 

Sauterel passed away on June 10, 1995. The Sarasota Herald-Tribune (Florida), June 13, 1995, published an obituary.
Georgette S. Egan, 72, Manatee County, died June 10, 1995.

She was born Sept. 15, 1922, in New York City, and came to this area 23 years ago from Los Angeles. She was an engineer and physicist for Hughes Aircraft and was one of three women managers. She was a senior project engineer for Levi Strauss. She was a Catholic. She received a bachelor’s degree in physics from UCLA in 1966. She served in the Women’s Army Corps during World War II.

Survivors include two daughters, Dania Greer of Blackburn, Victoria, Australia, and Patricia of Bradenton.

There will be no visitation or services. Manasota Memorial Funeral Home is in charge.
Sauterel’s daughter Patricia passed away on August 27, 2011, according to the Port Charlotte Sun (Florida), September 9, 2011. The status of Sauterel’s daughter, Dania, is not known.


Women in Comics Posts
Claire Szep (Updated April 17, 2023)


Related Letterer Posts
Irv Watanabe


(Next post on Monday: Holiday Greetings)

Typography and Lettering: Holiday Greetings

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The Printing Art, December 1915








































(Next post on Monday: A Few Details About Jerry Robinson, Letterer, Inker and Artist (Plus Ernie Kovacs, Teenage “Pirate”)


Comics: A Few Details About Jerry Robinson, Letterer, Inker and Artist (Plus Ernie Kovacs, Teenage “Pirate”)

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Jerry Robinson was born on January 1, 1922 in Trenton, New Jersey according to an interview in Alter Ego #39, August 2004. His first name, Sherrill, was recorded on his birth certificate which was partially transcribed at Ancestry.com. The middle name, David, was on his World War II draft card. Robinson’s parents were Benjamin (1881–1970) and Mae (1884–1968) and siblings, Harold (1907–1963), Avner (about 1909–1983), Maury (1911–1974) and Edith (1914–2008). 

In the 1920 United States Census, Robinson’s parents and siblings (lines 41–46) lived at 38 Atterbury Avenue in Trenton. His father was a theater manager. 


The Robinson family has not yet been found in the 1930 United States Census. 

The Trenton Evening Times, March 21, 1936, said
Har Sinai Plans Special Service
Dr. Pitt Will Be Speaker; Confirmation Day Arranged

The guest speaker during the regular Sabbath Eve service at Har Sinai Temple tomorrow night will be Dr. Lawrence J. Pitt, pastor of the methodist Episcopal Church of Princeton, N.J. Dr. Pitt formerly was at Greenwood Avenue Church, Trenton. ...

... Confirmation services at Har Sinai Temple will be held on Wednesday at 9:30 A.M. The following children of Har Sinai Temple will be confirmed: ... Jerry D. Robinson ...
In the interview conducted by Jim Amash, Robinson did not identify his Trenton high school. He said “I drew posters for my high school’s plays, like The Pirates of Penzance.” One of his schoolmates was comedian Ernie Kovacs. The Trenton Evening Times, March 17, 1937, said Kovacs “will have the role of Pirate King in ‘Pirates of Penzance’.”


Kovacs was a student at Trenton Central High School and a senior in the 1936 Bobashela yearbook. Kovacs, a 1937 graduate, was held back a year because of poor grades in several subjects.

Kovacs in 1936 yearbook

In 1939 Robinson graduated from Trenton Central High School. (The 1939 Bobashela yearbook was not available at Ancestry.com.)

In the History of Comics (1970), Jim Steranko said 
... [Bob] Kane recruited the services of his assistant, Jerry Robinson. ... Kane was impressed by the art work and told him about the Batman strip, suggesting he might be interested in assisting with the book. Robinson began in September 1939. He was 17.

Robinson, intending to pursue the profession of journalism at Columbia [University], was soon caught up in his enthusiasm and the popularity of Batman. He worked with Kane, first lettering, then pencilling backgrounds and finally inking. ...
Regarding the creation of Robin, Amash asked if the name and costume were essentially his ideas?
Well, I wouldn’t say entirely. ... It was a collaborative creation, but the genesis of Robin’s name and look came from Robin Hood. 

The last touch was the “R” on Robin’s chest. If you look at the early Batman stories I lettered—the beginning of each caption—the first letter I enclosed in a circle and dropped out the line. I thought that would be a counterpoint to the Bat emblem on Batman’s chest. 
In Comic Book Marketplace #70, August 1999, Will Murray interviewed Robinson and also asked about the creation of Robin.
... I knew N.C. Wyeth drawings of Robin Hood, so I sketched the traditional costume of Robin ... and put the little “R” on it.

I had been doing all the lettering and had been using the gimmick of putting the first letter of each caption in a circle, but dropping out the line. I thought the “R” on Robin’s vest would be analogous to Batman’s insignia. If you look at the rest of the costume, the little vest, ‘chain-mail’ pants, and the boots were a la Robin Hood. [see Todd Klein’s blog post on Robinson] 
Robinson said he rented an apartment within walking distance from Kane who lived with his parents in the Bronx. According to the 1940 census Kane’s address was 2255 Grand Concourse. Robinson was counted twice in the census. Robinson’s parents included him (line 33) in Trenton at 643 West State Street. Robinson (line 32) resided in the Bronx at 2298 Creston Avenue. His occupation was artist. 




Around 1941 Robinson moved. Steranko said
... Robinson shared an apartment on 33rd Street with another DC artist, Bernie Kline [sic]. They had installed two drawing boards, one of which was so big that two people could work on it at the same time. The flat became a hangout for comic men. Frequently a half dozen artists and writers like Charles Biro, Bob Wood, Mort Meskin and Whit Ellsworth would congregate there to finish a few pages and discuss storytelling techniques.
I believe the address was 207 East 33rd Street which was recorded on Robinson’s World War II draft card, signed on June 30, 1942. Robinson’s description was five feet seven-and-a-half inches, 125 pounds, with brown eyes and hair. 


In many Fall 1946 magazines and newspapers were advertisements for Pond’s Cold Cream endorsed by Ruth Conrad. The first paragraph said
Miss Ruth Conrad, daughter of Mr. and Mrs. Claude L. Conrad, prominent in the musical and artistic circles of Rochester, N.Y., is engaged to Mr. Jerry D. Robinson of New York City. Another Pond’s engaged girl ...


The Jackson Citizen Patriot (Michigan), October 6, 1946, said 
... Miss Ruth Conrad, Rochester, N.Y., formerly of Hillsdale college student, appears in a cosmetic advertisement in the latest issue of Life magazine. Miss Conrad, formerly of Quincy, is the daughter of Mr. and Mrs. Claude L. Conrad. Her engagement to Jerry D. Robinson, New York, has just been announced.

In the fall of 1946, they married in New Jersey. In the interview, Robinson did not mention his first marriage. 

Robinson was misspelled Robenson.

In 1949 their divorce was granted in Florida according to a record at Ancestry.com. 

The 1950 census said Robinson (misspelled Robison) was divorced. He was a self-employed cartoonist living in Manhattan at 67 Riverside Drive. He had completed two years of college (line 11). 


Robinson was one of many cartoonists who visited U.S. military bases around the world. The following June 3, 1956 passenger list included Robinson, Marjorie Johnson, Michael Berry, Tony DePrita and Vernon Greene


The New York, New York Marriage License Index, at Ancestry.com, said Robinson and Gro Bagn obtained, in 1957, Manhattan marriage license number 29653. 


Further Reading
The New York Times, December 9, 2011
Timely-Atlas-Comics, Jerry Robinson (1922–2011)—The Timely Years
Columbia University Rare Book & Manuscript Library, Formation of a comic book artist
Syracuse University Libraries, Special Collections Research Center
Barry’s Pearls of Comic Book Wisdom, Jerry Robinson interview, 1988
Amazing World of DC Comics #4, January–February 1975


Related Letterer Posts

(Next post on Monday: A Few Details About George Salter, Calligrapher, Designer and Teacher)

Comics: Bernard Klein, Artist, Boxer and Combat Photographer

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Bernard Klein was born on July 26 or 29, 1918, in Trenton, New Jersey. The first date was from his World War II draft card. The second date was recorded on a headstone application filed by Klein’s father. 

Klein has not yet been found in the 1920, 1930 and 1940 United States Censuses. 

The Trenton Evening Times said Klein graduated from the School of Industrial Arts in Trenton. 

He was profiled in the Trenton Sunday Times-Advertiser, November 29, 1936.
Making Good
Cartoonist Has Aimed for Job Since 2d Grade.
If perseverance is truly the pathway to success, you’ll be hearing some day of the eminent cartoonist, Bernard Klein. 

Since the second grade the 18-year-old Trenton, N.J., boy has been aiming toward his ambition “to make good on a newspaper or magazine.”

Recognition came when Bernard was a sixth-grade student and received an honorable mention in a cartoon contest. “The next year,” Bernard writes from 1109 Division street, “I took first prize in a school contest with a picture of ‘Popeye.’ In the eighth grade I began drawing for a high school paper, the first ever to do so without having reached high school.”

His work has appeared in The Trenton (N.J.) Advertiser.

The Trenton Evening Times, November 18, 1938, said
Boys from All Walks of Life in K. of C. Try-County Tourney
Boys from all walks of life are contenders for championships of the eight weight divisions in the Knights of Columbus Tri-County amateur boxing tournament at the Arena. ...

... Bernie Klein, a flyweight hopeful, is employed in a grocery store, but is better known as an amateur cartoonist. He has several times drawn cartoons depicting well-known boxers. Perhaps he dreams of sketching one of himself sometime. ...
The Trenton Evening Times, January 27, 1939, published a photograph of Klein who was competing in the flyweight division of the third annual Trenton Times A. A. Golden Gloves amateur boxing tournament. The flyweight division was won by Harry Varava.


The Comics Journal #271, October 2005, published an interview with Jerry Robinson who broke into the comics in September 1939, according to Jim Steranko’s History of Comics (1970). In the interview Robinson recalled meeting Klein at a New Year’s party and described him as a young John Garfield. Klein had been a Golden Gloves boxer who worked on the loading dock at the Trenton Times newspaper and also contributed sports cartoons. Eager to get into comics, Robinson explained to Klein what to do. 

On October 16, 1940, Klein signed his World War II draft card. His address was 1109 Division Street in Trenton. Klein’s employer was M. L. J. Magazines. He was described as five feet five-and-a-half inches, 130 pounds, with brown eyes and black hair. Some of Klein’s credits are at the Grand Comics Database


Steranko said 
Robinson shared an apartment on 33rd Street with another DC artist, Bernie Kline [sic]. They had installed two drawing boards, one of which was so big that two people could work on it at the same time. The flat became a hangout for comic men. Frequently a half dozen artists and writers like Charles Biro, Bob Wood, Mort Meskin and Whit Ellsworth would congregate there to finish a few pages and discuss storytelling techniques.
I believe the location of the apartment was on Robinson’s draft card: 207 East 33rd Street. He signed the card on June 30, 1942.


Samples of Klein’s art

Silver Streak Comics #11, June 1941

Daredevil Comics #2, August 1941

Silver Streak Comics #18, February 1942

Military Comics #8, March 1942

National Comics #23, June 1942

The Trenton Sunday Times-Advertiser, May 31, 1942, said
Bernard Klein, son of Mr. and Mrs. Harry C. Klein of 1109 Division Street, has joined the United States Army Signal Corps. Klein, who is stationed at Fort Monmouth, near Red Bank, enlisted on May 22.
Klein became a photographer. 

The Trenton Sunday Times-Advertiser, April 11, 1943, said
Corporal Bernard Klein, son of Mr. and Mrs. Harry Klein of 820 Southard Street, is in North Africa with the U.S. Army fighting forces. Corporal Klein is a member of a signal detachment. 

Sports page readers of Trenton and vicinity will recall cartoons drawn by Klein a couple of years ago and published in the Sunday Times-Advertiser. One of his cartoons was on Golden Gloves boxers, and so enthused the young artist that he decided to try his own hand as an amateur boxer. He was eliminated in his first bout, however, and decided to be a cartoonist instead of boxer. He went to New York and obtained a position with a syndicate publishing cartoon magazines. He has continued to draw cartoons since entering the service, and has had several of them used in army publications.

The Trenton Evening Times, September 29, 1943, published Klein’s portrait of General Mark W. Clark. 

Klein’s death was reported in the Trenton Evening Times, March 15, 1944.
Sergeant Klein Killed in Action
Trenton Artist Victim of Italian Campaign, Officials Report
Sergeant Bernard Klein, Trenton artist, was killed in action in Italy, according to word received yesterday from the War Department by his father, Harry Klein, 820 Southard Street. 

A graduate with high honors of the School of Industrial Arts who had had his drawings published often on the sports pages of the Trenton Times and Sunday Advertiser, young Klein attracted the attention of art circles in New York and before his enlistment was a staff member of a comic strips company. 

Sergeant Klein sketched, by official request, Generals Douglas MacArthur and Mark Clark and had received personal notes of congratulation from both. His sketches were published in “Stars and Stripes.”

A member of the 163d Signal Photo Detachment he had served in many of the African and Italian campaigns and many of his photos of warfare in action were published by leading newspapers throughout the country.

He recently sent to his father a collection of war souvenirs seized from German forces. 
The Trenton Evening Times, April 18, 1944, said
Tribute Is Paid to Klein’s Record
High tribute was paid the combat service record of the late Sergeant Bernard Klein, cartoonist and former Trenton Times artist, by his commanding officer, Captain Ned Morehouse, in a letter received by Harry C. Klein, 820 Southard Street, father of the youthful sergeant killed in February.

The officer wrote: “Bernard was a fine man, a true soldier, a happy friend. His faithfulness, continued eagerness to be on the job of photographing the war are signs which everyone is following in taking up where he left off. He has a long combat record and many, many fine pictures to his credit. I think his eagerness to go back on the job time after time when he had already been through other complete campaigns are indications of the highest type of American manhood. He knew, with the wisdom of a veteran, what he was facing each day, but was always eager to go and could not stand being idle.”

Mr. and Mrs. Klein also were informed by the Jewish chaplain, Aaron Paperman, that, at the traditional Hebrew rites, all members of Sergeant Klein’s unit, including his commanding officers, were present, according him all due military honor.
Klein’s father’s April 24, 1944 letter to entertainer Bob Hope was edited and transcribed in the book, Dear Bob ... Bob Hope’s Wartime Correspondence with the G.I.s of World War II (2021). 

The Trenton Evening Times, May 9, 1944, said
Posthumous Award for Sergeant Klein
The Purple Heart has been awarded posthumously to a former Trenton artist, Sergeant Bernard Klein, killed in the North African area February 23.

The emblem was received by the late artist’s father, Harry C. Klein, 820 Southard Street, along with the army’s expression of condolence from General Marshall and President Roosevelt.

A letter signed by Secretary of War Stimson to Mr. and Mrs. Klein read: “At the request of the President, I write to inform you that the Purple Heart has been awarded posthumously to your son, Technical Sergeant Fourth Grade Bernard Klein, Signal Corps, who sacrificed his life in defense of his country. Little that we can do or say will console you for the death of a loved one. We profoundly appreciate the greatness of your loss, for in a very real sense the loss suffered by any of us in this battle for our country is a loss shared by all of us. When the medal, which you will shortly receive, reaches you, I want you to know that with it goes my sincerest sympathy, and the hope that time and the victory of our cause will finally lighten the burden of your grief.”
The Trenton Evening Times, February 2, 1949, said
Body of Klein Coming Home
The body of T4 Bernard Klein is being returned from the Mediterranean area aboard the Army transport Eric G. Gibson. His father, Harry C. Klein of 820 Southard Street, has been notified by the War Department.

Klein, 28, a promising cartoonist here before entering the service, was killed at Cassino, Italy on February 23, 1944. He served with the Signal Corps as a member of the 163d Photo Detachment. 

As a cartoonist he had created several comic strips and his drawings of prominent local athletes appeared on the sports pages of the Trenton Times.

Klein was born in Trenton and attended public schools here and the School of Industrial Arts.
The Trenton Evening Times, March 4, 1949 said
Sgt. Klein’s Rites Sunday
A military funeral will be held Sunday for Sergeant Bernard Klein, talented young Trenton artist, who died of wounds received at Cassino, Italy, February 23, 1944.

Service will be held at 2:30 o’clock at the Ullrich Funeral Home, 199 Brown Street. Rabbi S. Joshua Kohn will officiate. There also will be a service by the jewish War Veterans. Burial will be in Brith Sholom Cemetery.

Sergeant Klein is survived by his father and stepmother, Mr. and Mrs. Klein of 820 Southard Street, and a stepsister, Mrs. Vivian Higgins of 1011 Division Street. He was nephew of the late Harry Charlip of Euclid Avenue.

Klein, who was 25 years old, was attached to the 163d Signal Photo Detachment. He served in many of the African and Italian campaigns during the late war. Many of his photographs of battle action were published in the country’s leading newspapers.

During his military career he had the opportunity to make sketches of General Douglas MacArthur and General Mark Clark and received personal notes of congratulations from both. The pose of General MacArthur has been used many times by newspapers and magazines. The original sketch of General Clark is now at West Point.

Klein was part of the “Bloody Five” which made the original landings in North Africa. He was recommended three times for the Legion of Merit and was awarded the Purple Heart.

A graduate of the Trenton School of Industrial Arts, Klein contributed many drawings to the sports page of the Trenton Times before the war. 

He also sketched for “Memo,” a magazine, and did portraits of many of the State’s leading personalities. 

While in service, he made sketches of Bob Hope, Al Jolson and other entertainers, and many of his works were published in “Stars and Stripes,” the Army publication.
Headstone application

The Trenton Evening Times, April 28, 1950, said
Unveil Monuments in Joint Ceremony
Monuments in Brith Sholom Cemetery, Cedar Lane, will be unveiled in a ceremony Sunday at 2 p.m. for Harry Charlip, formerly of 250 Euclid Avenue, and a nephew, Bernard Klein, formerly of 820 Southard Street, a war casualty. Members of the family and friends will attend.

Further Reading
The Rattle of Theta Chi, August, September, October 1948
Internet Archive, C-Span 2, World War II U.S. Army Signal Corps Photos
Naval History and Heritage Command, Operation Shingle: Landing at Anzio, Italy, January 22, 1944 


(Next post on Monday: A Few Details About George Salter, Calligrapher, Designer and Teacher)

Creator: A Few Details About George Salter, Calligrapher, Designer and Teacher

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George Salter was born Georg Salter on October 5, 1897, in Bremen, Germany, according to his naturalization papers, World War II draft card and marriage license. His parents were Norbert Salter and Stefanie Klein. Classic Book Jackets: The Design Legacy of George Salter (2005) tells the story of his life and education before immigrating to the United States in 1934. 

On November 8, 1934, Salter (line 24) was aboard the steamship Albert Ballin when it departed Hamburg, Germany. He arrived in the port of New York on November 16. 


Salter began the naturalization process on July 9, 1935. 


The 1940 United States Census erroneously said Salter (line 53) was married to “Stephanie” who was actually was his mother. Also in the household was his sister. They resided in Manhattan at 33 East 22nd Street. He was a self-employed artist. 


Five months later, Salter became a naturalized citizen on September 19, 1940. 


On February 16, 1942, Salter signed his World War II draft card. His Manhattan address was 40 East 10th Street. Salter was employed at the Cooper Union School of Art. His description was five feet seven inches, 170 pounds, with brown eyes and hair.


Salter and Agnes V. O’Shea obtained a Manhattan marriage license number 14433 on July 17, 1942. They married on July 22. Salter became uncle to Miriam Woods, his former student at Cooper Union.



According to the 1950 census, Salter’s address was the same. His occupation was designer and teacher (line 4), and his trade was making freelance book jackets. Their daughter, Janet, was adopted in 1946. 


Salter passed away on October 31, 1967. Obituaries appeared in The New York Times, November 1, 1967 and The Villager, November 9, 1967. He was laid to rest at Dawes Cemetery. The headstone was designed by Miriam Woods. 


Further Reading and Viewing
German Designers, George S. Salter
Print, Society for the Prevention of Cruelty to Book Jacket Designers
Wellesley College, George Salter (1897–1967)
The Inland Printer, October 1944, Calligraphy’s Flowering, Decay & Restoration
The Inland Printer, November 1944, Calligraphy’s Flowering, Decay & Restoration
Print, Fall 1945
Print, 1948, here and here

(Next post on Monday: Miriam Woods, Lettering Artist and Book Jacket Designer)


Creator: Miriam Woods, Lettering Artist and Book Jacket Designer

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Miriam Woods was born on May 10, 1918, in Northampton, Massachusetts, according to her New York, New York marriage license application. Her parents were Charles Woods and Helen O’Shea. 

The Woods family has not yet been found in the 1920 United States Census.

In the 1930 census, lines 67 to 72, Woods was the oldest of four siblings. The family resided in Northampton at 12 Bedford Terrace. Her Irish father was a designer in the gift shop trade.


The Springfield Republican (Massachusetts), January 14, 1940, said Woods “graduated from Northampton high school in 1935 and Mary A. Burnham School for Girls in 1936 ...”

Around 1937, Woods moved to New York City. According to the 1940 census, lines 52 and 53, Woods lived her aunt, Agnes O’Shea, in Manhattan at 69 Tieman Place. 


Woods studied at Cooper Union under George Salter. She graduated in 1940. Woods also studied at Columbia University


Springfield Republican, June 3, 1940

On August 8, 1940, Woods and Robert L. Cheney obtained, in Manhattan, marriage license number 12395. They married on August 10. 


On October 16, 1940, Woods’ husband signed his World War II draft card. They lived in Manhattan at 55 Morton Street. He worked at the Rumford Press. 


The 1940s were busy for Salter. With many of his younger peers in uniform, he often had more commissions than an artist of even his diligence and energy could handle. At times, with permission from the appropriate art directors, he subcontracted jobs to Miriam Woods, his personal assistant, with the clear understanding that her work would always bear her signature.
Bookbinding & Book Production, February 1942, published a photograph of Woods, Salter, Oscar Ogg, Riki Levinson, and Edgar Cirlin. 

In July 1942, Salter became Woods’ uncle when he married Agnes O’Shea.

The Inland Printer published Paul Standard’s “Calligraphy’s Flowering, Decay & Restoration” in its October and November 1944 issues. Woods was mentioned in both. 

Woods’ husband was profiled in American Notes & Queries, May 1947. 
The Gopher Hole Press (72 Barrow Street, New York 14, N.Y.) is under the direction of Robert L. Cheney, printer and typographer. It came into existence in February 1942, with the purchase of a hand-feed Chandler & Price platen press (12 x 18) ... Between major jobs and his own work at Harper & Brothers, Cheney gets a miscellany of assignments typographic book jackets and binding designs. His own work is often supplemented by that of Mrs. Cheney (Miriam Woods), a book jacket designer and calligrapher. 
Publishers Weekly, July 2, 1949, featured the graphic arts work at Cooper Union. Projects by current students was shown. The article also named several alumni: 
Ashley Bryan, illustrator; Donald Burgess, illustrator; Edgard Cirlin, illustrator, book designer, jacket designer; Erica Gorecki Egan, illustrator; Sam Fisher, jacket designer; Betty Karpoff, illustrator; Anne Pracny Kirby, illustrator; Riki Levinson, jacket designer; Meyer Miller, typographer, book designer; Ava Morgan, jacket designer; David Soshensky, jacket designer; Richard Stinely, jacket and book designer; Jean-Yee Wong, illustrator, calligrapher; Miriam Woods, jacket designer.
Three months later, Publishers Weekly, October 15, 1949, reported the Cooper Union alumni exhibit of book designs. 
Fifteen of the younger alumni of Cooper Union Art School, New York, are represented by books, jackets and illustrations in an exhibition called “Contemporary Book Design,” which is being held at Cooper Union Museum, October 10–31, in connection with the school’s 90th anniversary. Designers represented include Jeanyee Wong, Erica Gorecka-Egan, Philip Grushkin, Meyer Miller, Edgard Cirlin, Miriam Woods, Ashley Bryant, David Soshensky, Anne Pracny, Riki Levinson, Donald Burgess, Richard Stinely, Elizabeth Alden Karpoff and Marvin Blick. ...
The 1950 census counted Woods, her husband and son, Douglas (lines 13 to 15), in Manhattan at 72 Barrows Street. Woods was a self-employed book designer for book publishers. 


Bookbinding & Book Production, September 1950, profiled Woods’ husband who was art director at Harper and Brothers. The last paragraph said 
Mrs. Cheney is also active in the graphic arts, being engaged in calligraphy and book jacket designing as a free lance under the name of Miriam Woods. She was graduated from Cooper Union after studying under George Salter.
Bookbinding & Book Production, December 1950, described Woods’ contributions to The Columbia Encyclopedia, Second Edition

Bookbinding & Book Production, April 1951, published the list of the American Institute of Graphic Arts’ “Fifty Books of the Year 1950”. Woods’ and her husband were represented in the exhibition. They were designers of the Harper & Brothers book, Toward Daybreak. Woods’ jacket for The Columbia Encyclopedia was noted. 

Miss Miriam Woods Long Hill Rd., Briarcliff Manor, N. Y. BRiarcliff 6-1745 Calligraphy, jacket designs
When Woods’ marriage ended in divorce, she remarried to Richard Curran in 1961.

The 1979 Magazine Industry Market Place had this listing
Miriam Woods 20 Waterside Plaza. Apt 13A, New York 10010 Tel: 212-685-5039 
Woods was mentioned several times in Paperbacks, U.S.A.: A Graphic History, 1939–1959 (1981). 

Woods passed away on October 3, 1983. The New York Times, November 2, 1983, said 
Miriam Woods Curran, who created book jackets for Harper & Row and other major publishers for more than 30 years, died of cancer last Wednesday at her home in Manhattan.

She was 65 years old.

Mrs. Curran was vice president of the board of the Bellevue Hospital Auxiliary and chairman of the patients’ library committee.

She is survived by her husband, Richard; two sons by a previous marriage, Douglas Cheney of Atlanta and Peter Cheney of Roanoke, Va., and a brother, Charles Woods 3d of Grafton, Wis.
The Daily Hampshire Gazette (Northampton, Massachusetts), November 4, 1983, said 
New York, NY.—Miriam Woods Curran, 65, of 20 Waterside Plaza, a native of Northampton, died October 3 of cancer in New York. 

Born May 10, 1918 she was the daughter of the late Charles and Helen Woods. She graduated from the Cooper Union School of Art in New York in 1940. 

Working as a letterer and calligrapher under the professional name of Miriam Woods she created book jackets for Harper & Row and other book publishers including the cover for the Columbia Encyclopedia. She also designed books for Behrman House Inc. 

She was a vice president of the Bellevue Hospital Auxiliary Board and chairman of the patient’s library committee. 

She is survived by her husband Richard Curran also a native of Northampton; two sons Douglas Cheney of Atlanta, Ga. and Peter Cheney of Roanoke, Va.; a brother Charles Woods III of Grafton, Wis.; and an aunt. 

A memorial exhibition of her work will be held at a time to be announced. Contributions may be made in her memory to the Bellevue Hospital Auxiliary. 

A Selection of Book Jacket, Cover and Map Designs
Most images were found at the Internet Archive.

1940s







1950s





















1960s





















1970s









Further Reading and Viewing
Columbia University Press, 1893–1983, page 74
Print, Society for the Prevention of Cruelty to Book Jacket Designers


(Next post on Monday: David I. Gaines and Evelyn Gaines, Writers and Relatives of M.C. Gaines)


Comics: David I. Gaines and Evelyn Gaines, Writers and Relatives of M.C. Gaines

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1923 Passport Photograph

David I. Gaines was born “Isaac Ginsberg” on December 13, 1896 in Manhattan, New York City, according to his birth certificate. The spelling of Ginsberg, with an E, was also found on census records. However, draft cards and a passport application spelled the surname with a U, Ginsburg. Gaines’ parents were Abraham and Rosie, Russian immigrants, who lived at 266 Cherry Street. 


He was born after his brother Maxwell Charles Gaines, the founder of Educational Comics and All-American Publications.  

The 1900 United States Census counted Gaines (Isidor, line 13) as the third of four brothers. They lived with their parents at 442 East 86th Street in Manhattan. Their father was a dealer in rags. 


In the 1910 census, the family (lines 75 to 79) resided in the Bronx at 1819 Barnes Avenue. 


According to the 1915 New York State Census, the family (lines 4 to 9) lived at 1735 Victor Street in the Bronx. Gaines was a college student. The New York Times, April 7, 1989, said he received bachelor’s, master’s and doctoral degrees from Columbia University.


Gaines’ father passed away on September 3, 1917. 

On June 24, 1918, Gaines signed his World War I draft card which included his middle initial X. He lived in the Bronx at 1819 Barnes Avenue. His description was five feet eleven inches, medium build, with blues eyes and brown hair. 


Gaines has not yet been found in the 1920 census. 

On November 5, 1923, Gaines applied for a passport at the American Consulate in Berlin, Germany. The application said he had been in England from December 1921 to October 1922 then in Germany from October 1922. He also listed other countries to visit, Belgium, Holland, France and Austria. 


Gaines returned to America on August 24, 1924. He was aboard the steamship Columbus when it departed Cherbourg, France on August 17.


Gaines’ mother married Sam Starkman on February 14, 1922 in Manhattan. 

The 1925 New York state census counted Gaines (line 23), his brother, William, mother and step-father, a furrier, in the Bronx at 1819 Barnes Avenue. 


The New York, New York Marriage License Index, at Ancestry.com, said Gaines and Edith Quinn obtained, in Brooklyn, marriage license number 9666 on June 6, 1929. Who’s Who of American Women Volume 8 (1973) said they married on June 11. 

In the 1930 census, the couple (lines 51 and 52) lived at 3960 46th Street in Sunnyside, Queens, New York. He was a college teacher and she an insurance stenographer.


According to the 1940 census, Gaines had two daughters. The family of four were Brooklyn residents at 1496 Union Street. He was a professor at City College. 


On April 27, 1942, Gaines signed his World War II draft card which had his name as Isidore Xerxes Ginsburg. His address was 1838 East 24th Street in Brooklyn. He was a teacher at City College. Gaines was described as five feet eleven inches, 175 pounds, with blue eyes angry hair. His surname, Ginsburg, was crossed out and replaced with Gaines. His birth certificate indicated the change was approved by Commissioner of Health on March 19, 1946. 


In 1947, Gaines contributed three articles to his brother’s comic books: “The Seven Wonders of the Ancient World” in Picture Stories from World History #1, Spring 1947; “The Story of Labor Organizations” in Picture Stories from American History #4, Summer 1947; and “Feudalism” in Picture Stories from World History #2, Summer 1947. 

The 1950 census said Gaines was a history instructor at City College. His family lived at 521 West 111th Street in Manhattan.


1950 Microcosm, City College of New York yearbook
Caption: Gaines Cox Fenton Brandt Zeichner 

Gaines retired in 1967 after 40 years at City College.

On September 19, 1988, Gaines’ wife, Edith, passed away. 

Gaines passed away on March 23, 1989, in New York City. An obituary appeared in Perspectives: Newsletter of the American Historical Association, November 1989. 
David I. Gaines, a member of the History Department of the College of the City of New York for forty years, died on March 23, 1989 in New York, NY at the age of 92. He received his B.A., M.A., and Ph.D. degrees from Columbia University. An authority on modern European history, especially the development of German national symbolism, he was esteemed for his scholarship, dedication to teaching, and concern for his students. Professor Kenneth Arrow of Stanford University, the 1972 Nobel Prize winner in economics, named Dr. Gaines in history and Dr. Alfred Tarski in logic as the two great teachers he had had at City College. He is survived by two daughters.
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Evelyn Gaines was born Evelyn D. Ginsburg on May 26, 1919, in the Bronx, New York, according to the New York, New York Birth Index at Ancestry.com. Her parents were Benjamin Ginsburg (the older brother of Maxwell Charles Gaines), and Celia Brown who married on May 11, 1916 in Brooklyn, New York. 

The 1920 United States Census counted the family (lines 4 to 6) in the Bronx at 441 East 161st Street. Gaines’ father was a self-employed pharmacist. 


In the 1930 census, Gaines (line 67), her parents and brother, Arthur, were Manhattan residents at 3671 Broadway. Her father was a real estate manager. Sometime after 1935, the family moved to Queens, New York. 


The 1940 census recorded the Ginsburg family (lines 37 to 40) at 214-38 Hillside Avenue in Queens Village, New York. Gaines was a stenographer working in the advertising industry. Her highest level of education was the second year of college. Gaines’ father was a pharmacist. 


Sometime after the census the family adopted the Gaines surname. Gaines’ brother, Arthur Charles Gaines, signed his World War II draft card on April 29, 1943. His address was 720 West 170th Street, Apt. 6C, New York, New York. 


When and how Gaines met Louis Francis Lovelace is not known. On October 16, 1944, they married in California. A 1944 voter register said he was a Republican who lived in Los Angeles at 337 North Benton Way. His occupation was writer. 

At some point, Gaines returned to New York where she found some work in the comic book industry. Using the pen name Lynne Evans, she contributed to Sensation Comics numbers 39 and 40 here and here. She was mentioned in Women and the Comics (1985). Who’s Who of American Comic Books 1928–1999 said she contributed stories for Hop Harrigan who appeared in All-American Comics.

Gaines’s letter to the editor was published in the New York newspaper PM, October 1, 1946. (See subhead “Not All Black and White”)


According to the 1950 census Gaines/Lynne Lovelace (line 19) was separated and had a three-year-old daughter, Laurette. She lived with her parents at 720 West 170th Street in Manhattan. 


From 1948 to 1950, Gaines/Lynne Lovelace advertised editorial and typing services in Writer’s Digest and Saturday Review. Below are some examples. 

Writer’s Digest, February 1948

Writer’s Digest, October 1949

Saturday Review, April 2, 1949

Saturday Review, April 22, 1950

Classified advertisements also appeared in the The New York Times Book Review which were collected in a 1970 book. 
Typing—Ghostwriting—Lynne Lovelace, 720 West 170th, N.Y. 32, WA 8-4620. 
The Social Security Death Index has a Lynne Lovelace who was born on May 16, 1919 which was ten days earlier than the birth date stated at the beginning of the profile. She passed away in July 1980 and her last residence was the Bronx.



(Next post on Monday: Gene Barnett, Illustrator, Painter, Sculptor, Etcher, Writer and Letterer)

Comics: Gene Barnett, Illustrator, Painter, Sculptor, Etcher, Writer and Letterer

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Eugene Asheton “Gene” Barnett was born on March 18, 1894, in Atlanta, Georgia, according to his World War I draft card and passport application which had his full name. 

In the 1900 United States Census, Barnett (line 90) was the oldest of three children born to Eugene and Ida. They family were Nashville, Tennessee residents at 703 Shirley Street. His father was a clothing salesman.


The 1910 census counted Barnett (line 70), his parents and five siblings in Atlanta, Georgia at 4 Rosalia Street. Sixteen-year-old Barnett was a hardware salesman.


Every now and then, Barnett was mentioned in the society pages of The Constitution (Atlanta, Georgia). The September 27, 1914 edition said


On June 5, 1917, Barnett signed his World War I draft card. His address was 34 Rosalia Street. His description was short with blue eyes and brown hair. Barnett was a display man at Jacob Pharmacy in Marietta, Georgia. 


Barnett’s registration was listed in The Constitution, July 13, 1917. 

Barnett’s Georgia World War I service card said he enlisted on April 16, 1918 at the Navy Recruiting Station in Atlanta. He trained for radio electrician beginning at Newport, Rhode Island, then Cambridge, Massachusetts, and New York City. His rating was Electrician 2nd Class Radio. Barnett was discharged on March 10, 1919.


According to the 1920 census, Barnett (line 7) stayed at the YMCA, 215 West 23rd Street, in Manhattan. His was employed as an artist in the film industry. The American Art Annual, Volume 26, (1930; “Who’s Who in Art” section reprinted in Dictionary of American Artists: 19th & 20th Century (1982)), said Barnett was a student of Edward Penfield whose studio was at 163 West 23rd Street


Barnett’s passport application was filed on June 23, 1922. The passport was issued four days later. In July he planned to visit several countries in Europe. 


On September 14, 1922, Barnett (line 12) departed Le Havre, France. He arrived in the port of New York on September 23. 


The American Art Annual said Barnett was an illustrator, painter (undated oil painting here), sculptor, etcher and writer, who worked at 522 Fifth Avenue, near 43rd Street, which was the address of the advertising agency, Robert M. McMullen Company. He was a member of the Society of Illustrators. 

The 1930 census said Barnett was an advertising art director (line 30). His Manhattan address was 1 West 67th Street. 


Two months after the census enumeration, Printers’ Ink, June 5, 1930, said 
Eugene Barnett with Caples Company
Eugene Barnett, formerly with the Robert M. McMullen Company, New York, has joined the Caples Company, advertising agency, also of that city, as art director.
The Caples Company was headquartered in Chicago, Illinois with branches in New York City and Tampa, Florida. 

On October 2, 1930, Barnett and Florence M. Johns obtained, in Manhattan, marriage license number 24031. They married two days later. 


News of the marriage was reported in the Spokane Chronicle (Washington), October 7, 1930. 
Miss Florence Johns Will Wed in East 
From New York comes the announcement that Miss Florence M. Johns, daughter of Mr. and Mrs. William C. Johns of this city, and Eugene A. Barrett, son of Mr. and Mrs. Eugene Barrett of Atlanta, will be married in New York this month. Miss Johns is an artist and has resided in New York city for several years. Mr. Barrett is in the advertising business. The couple procured their marriage license in New York October 2, announcing at that time they would be married later in the month. 
In the 1940 census, the couple (lines 44 and 45) resided in Manhattan at 74 West 69th Street. Barnett was a freelance artist. It’s not clear when he left the Caples Company. His highest level of education was the fourth year of college. In 1939 Barnett earned $1,000. 


At some point Barnett was a letterer at Harry “A” Chesler’s comic book shop which opened in 1936 at 276 Fifth Avenue at 30th Street and, by 1941, had moved to 163 West 23rd Street (Edward Penfield’s old studio address). 

On April 26, 1942 Barnett signed his World War II draft card. His address and occupation were unchanged. He was described as five feet five inches, 150 pounds, with gray eyes and hair.


The Agency List #96, January 1949, said Barnett was art director at John A. Finneran, Inc., 1475 Broadway, New York. 

40. Eugene Barnett
74 W. 69 St. TR 7-5149 
New York 23, N. Y.  
Advertising & Magazine 
Illustration, Book Design 
Rep. A. Gatterman
In 1950 Barnett (line 7) was a freelance artist at 74 West 69th Street. His wife was an accountant. He earned $3,200 in 1949. 


Barnett passed away on December 21, 1954, in Manhattan according to the New York, New York Death Index at Ancestry.com. He was laid to rest at the Long Island National Cemetery

(There was another person named Eugene Barnett who was a cartoonist. His daughter wrote a book about him.) 


Related Letterer Posts
Irv Watanabe


(Next post on Monday: Scrambled Feet (Plus a Few Details About Val Mayerik))

Anatomy of a Logo: Scrambled Feet (Plus a Few Details About Val Mayerik)

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Scrambled Feet was a lettering job for Val Mayerik who did the painting. In Spring 1979, Mayerik, a member of Upstart Associates, contacted me at Continuity Associates and said he wanted the logo to be styled after the Playbill logo. The letterforms are similar to the Photo-Lettering font Latin 8 2757c. 


A few days later he picked up the original art. The off-Broadway revue opened on June 11, 1979 at the Village Gate. The logo appeared on Showbill and posters. Mayerik was credited on the staff page.


By 1980 the lettering was replaced with a typeface. Mayerik was credited on the original cast recording



Further Reading
Broadway.com, Obscure Videos: Two Revues


SIDEBAR: A Few Details About Val Mayerik
Val Stephan Mayerik was born on March 29, 1950, in Youngstown, Ohio. His full name was found on public records at Ancestry.com. Mayerik’s parents were Val and Virginia. 

In the 1950 United States Census, Mayerik and his parents (lines 18 and 19) were in the household of his maternal grandparents who resided in Youngstown at 137 Falls Avenue. 


Mayerik was counted on another census sheet (line 11). 


At some point the Mayeriks moved to Howland Township in Warren, Ohio. Mayerik attended Howland High School from 1965 to 1968. 

1965 Scroll yearbook

1966 Scroll yearbook

1967 Scroll yearbook


1968 Scroll yearbook

The Youngstown Vindicator, March 9, 1969, reported the Trumbull New Theater production of “Wait Until Dark” and said
… Val Mayerik will play the part of Carlino, one of the men involved in the plot against Suzy. He is a freshman Youngstown University majoring in art, and will have some of his work on display at the TNT Playhouse during the run of the suspense play. His only other appearance in a TNT production was as Teddy, the eccentric brother in “Arsenic and Old Lace.” …
The 1971–1972 Neon yearbook of Youngstown State University had artwork by Mayerik: 40 spot illustrations and 17 full-pages.


4 of 40 spot illustrations



12 of 17 full-pages












Mayerik performed in Camino Real


For the 1973 Neon, Mayerik produced two portraits and two pages of comics. 






Youngstown Vindicator, January 20, 1974, Mayerik Nuptial at Warren Church 
Youngstown Vindicator, April 8, 1977, Musical Comedy Revue Scheduled at Playhouse
... Val Mayerick [sic], who made his Playhouse debut as “Lysistrata’s” Polydoris ...
Youngstown Vindicator, April 13, 1977, Effervescent Cast Presents “El Grande de Coca-Cola”
… The other member of the cast, Val Mayerick [sic], in his second Playhouse performance, seems right at home comic role which has him imitating everything from a blind guitar player to a weak muscleman. …
Youngstown Vindicator, April 17, 1977, cast photograph
Youngstown Vindicator, July 24, 1977, Reception at Bride’s Home Marks Polly Law’s Wedding 
Youngstown Vindicator, April 5, 1984, Youngstown Artist Will Lecture at CSU 
… Mayerik, 34, began his career in 1972 as an assistant to artist Dan Adkins who later introduced him Marvel Comics. In addition to the Marvel comic books, “Ka-Zar,” “Howard the Duck,” and “Savage Sword of Conan,” his drawings have 
Grand Comics Database, Mayerik credits; Mayerick credits


(Next post on Monday: 1930 Syllabus Yearbook)


Lettering: 1930 Syllabus Yearbook

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Northwestern University
Evanston, Illinois















































(Next post on Monday: Four World Typeface Corporation Fonts)


Alphabets: Four World Typeface Corporation Fonts

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Comics: Alice Kirkpatrick, Artist

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March is Women’s History Month.

Alice Margaret Kirkpatrick was born on September 27, 1912, in Huntsville, Alabama. Her full name was published in a 1930 school yearbook. The birth date is from the Social Security Death Index. Her birthplace was recorded on passenger lists. 

The 1920 United States Census said Kirkpatrick was the only child of John and Helen. They were Huntsville residents at 506 Randolf Street. Her father was a bookkeeper at a general store.


Kirkpatrick attended the Wills-Taylor School. Below are her fourth and fifth grade class photographs from The Wist yearbooks for 1922 and 1923.



The 1927 Huntsville city directory listed the Kirkpatrick family at 505 East Eustis Street. In 1929 they were at 456 East Eustis Street. 

World Week, Scholastic Teacher Edition, October 27, 1954, published a profile of Kirkpatrick. It was reprinted in Senior Scholastic, February 9, 1955. Kirkpatrick majored in music and art at Huntsville High. At age 16, she “won a scholarship to take the two-year home-study art course of Art Instruction, Inc., Minneapolis, Minn.”

The Kirkpatricks were at the same address in the 1930 census. 


Kirkpatrick continued her education at the Ward-Belmont School in Nashville, Tennessee. Kirkpatrick’s nickname was “Kirk” as noted, below, in the Ward-Belmont Hyphen, May 10, 1930. Years later, she signed “Kirk” on some of her work.
—And speaking of batting as I believe we were, have you ever noticed Alice Kirkpatrick? You know “Kirk’s” appendages are rather lengthy and when she gets them placed to her liking ye poor pitcher is troubled as to what he is facing. Dear, dear, and we can’t even scratch our own back.—
The 1931 Milestones yearbook said she was a certificate art student and a member of the F.F. Club



Hollywood Magazine, August 1936, reported the winners of the Pickford-Lasky trademark contest. Kirkpatrick won the magazine’s own contest. 


The contest winners were also announced in Motion Picture, August 1936. 

World Week said Kirkpatrick, in 1937, “moved to New York City and got a job designing wallpaper and fabrics. She also studied illustration at the Phoenix Art Institute at night. Shortly afterwards she became a free-lance commercial artist with her own business and own customers.” Field Guide to Wild American Pulp Artists said she also found work in pulp magazines. 

According to the 1940 census, Kirkpatrick shared an apartment with Jacquline Franc at 40 West 53rd Street in Manhattan. 


The Grand Comics Database said her comics career ran from 1948 to 1956. 

In the 1950 census, Kirkpatrick was at the same address. Her occupation was commercial art drawing ads in the advertising industry. 


A July 14, 1951 passenger list said Kirkpatrick and her roommate, Muriel Birckhead, were passengers aboard the steamship Queen Mary bound for Cherbourg, France. On August 29, 1951, they returned on the steamship Mauretania from Southampton, England to New York. 

During 1959, Kirkpatrick designed and illustrated several book jackets and magazine covers in including Fifty Years with Music, Moura, Music Journal, April-May 1959 and June-July 1959

Kirkpatrick retired to Naples, Florida where she passed away on July 16, 1997.


Selected Covers and Stories
Real Love #26, June 1949, cover
Glamorous Romances #41, July 1949, cover
Real Love #27, August 1949, cover
Real Love #28, October 1949, cover
Glamorous Romances #42, September 1949, cover 
All Love #29, November 1949, cover
Glamorous Romances #43, November 1949, cover 
Glamorous Romances #45, March 1950, He Loved Us Both
Real Secrets #4, March 1950, Love Was Passing Me By
Revealing Romances #4, March 1950, Love Was His Game
Real Love #31, April 1950, Heart on Ice
Glamorous Romances #47, August 1950, It Happened on a Blind Date
Real Love #34, November 1950, Deceitful Kisses
Love at First Sight #8, March 1951, cover
Real Love #36, March 1951, cover, Uncertain Fiancée
Glamorous Romances #51, April 1951, cover
Love Experiences #6, April 1951, cover
Love at First Sight #9, May 1951, cover
Glamorous Romances #52, June 1951, cover
Real Love #37, May 1951, cover


Further Reading and Viewing


(Next post on Monday: Peggy Zangerle, Artist)

Comics: Peggy Zangerle, Artist

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March is Women’s History Month.

Margaret Mary “Peggy” Zangerle was born on July 22, 1925, in Philadelphia, Pennsylvania, according to her Social Security application at Ancestry.com. 

The 1930 United States Census counted Zangerle (line 2) as the only child of Edward, a German immigrant, and Mary, a Pennsylvania native. Their home was in Philadelphia at 1319 North Eleventh Street. Her father owned a bakery. 


Zangerle has not yet been found in the 1940 census. 

In 1943 Zangerle graduated from the John W. Hallahan Catholic Girls’ High School in Philadelphia. Archdiocese of Philadelphia. Zangerle and Irene Tolosky painted a portrait of Our Lady of Hallahan which was restored by Hallahan’s Alumnae Association



Silver Sands yearbook

On June 5, 1944, Zangerle’s father signed his World War II draft card. His address was 1447 North 5th Street in Philadelphia.

Alter Ego #28, September 2003, said Zangerle met Joe Maneely and George Ward and they formed an art studio in Philadelphia. A Century of Women Cartoonists (1993) said “Peggy Zangerle, who drew Doc Savage and Red Dragon in 1948.” 

On March 23, 1950, Zangerle was aboard the steamship Queen Mary when it departed New York bound for Cherbourg, France. The passenger list said her address was 1447 North 5th Street in Philadelphia and planned to stay for three months. 

The 1950 census, enumerated in April, counted Zangerle (line 24) in her parents’ household at the same address. The column for occupation was blank. 


Zangerle departed Le Havre, France on August 17, 1950. The steamship Liberte arrived in the port of New York on August 23. 

In 1953, Zangerle returned to her high school alma mater and spoke to art students. 

Silver Sands yearbook

Zangerle visited France again in 1956. She returned aboard the Queen Mary on May 15, 1956. 

The Philadelphia Inquirer, October 12, 1956, reported the upcoming Holiday Fair, by the Woman’s Auxiliary of Trinity Church in Swarthmore, on Wednesday and Thursday, November 14 and 15. 
Lecture on Decorations
... Another outstanding feature of the event will be the appearance of Peggy Zangerle, pastel and charcoal artist, who will do portraits on order both days. ... [pastel portrait here]
The Reading Eagle said Zangerle made children’s portraits at the 1958 and 1959 Reading Hospital Lawn Fetes.

The Philadelphia Inquirer, November 15, 1959, announced the plans for the 65th anniversary of the Delaware County Daughters of the American Revolution and noted
... For the fifth consecutive year Miss Peggy Zangerle will be on hand with her pastel and charcoal sketches.
Pennsylvania Academy of the Fine Arts 156th Annual Report 1961 said Zangerle received an honorable mention at the Student Exhibition for Annual Awards and Scholarships, May 17 through June 3. 

Zangerle’s father passed away on July 27, 1963 in Philadelphia. 

According to the New Jersey Marriage Index, at Ancestry.com, Zangerle and Daniel E. Quill married in August 1967 in Ventnor, New Jersey. 

Zangerle’s mother passed away on May 24, 1968 in Philadelphia. 

Zangerle’s husband passed away on December 8, 1988. Find a Grave has a photograph of them. 

The University of Pennsylvania produced a 2022 list of deceased students of the Class of 1970.
Name: Mrs. Margaret Z. Quill; Affiliation string: FA70;  Birth name: Zangerle, Margaret M.
Zangerle passed away on June 8, 1997, in Atlantic City, New Jersey, according to the New Jersey Death Index at Ancestry.com. 


Women in Comics Posts
Claire Szep (Updated April 17, 2023)


(Next post on Monday: Olive Bailey, Artist)

Comics: Olive Bailey, Artist

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March is Women’s History Month.

Olive J. Bailey was born August 21, 1904, in Dayton, Ohio, according to her marriage certificate. Women in Comics said her middle name was Jeanette. She has not yet been found in the 1910 United States Census. 

Bailey’s father signed his World War I draft card on September 12, 1918. His address was 119 Mack in Detroit, Michigan. 


The 1920 census said Bailey, her parents Oliver and Jeannette, and four siblings (lines 95–100) lived in Detroit, Michigan at 181 Melbourne. Her father was a machine inspector at a tool company. 


Bailey graduated high school in the early 1920s. 

In the 1930 census, Bailey was not counted with her family who were Detroit residents at 1988 Grand Avenue.

At some point, Bailey moved to New York City where she and Arno H. Scheiding, who was born in London, England, obtained a Brooklyn marriage license on February 20, 1933. They married on September 14, 1933 in Manhattan. Bailey’s address on the certificate was the same as her parents’ in the 1930 census. 


On January 8, 1934, Scheiding became naturalized citizen. 


The New York Evening Post, August 6, 1935, published Archer Winsten’s column, “Wake of the News”. He visited some of the residents of Tudor City
… Then the bell of Arno Scheiding at 337 buzzed the door and up we went to meet a young man of ready comprehension. He said, “Well, come in. I don’t know what I can tell you but. ...”

... His wife, who never went to art school in her life, is from Detroit. She does fashion work for department stores under her maiden name of Olive Bailey. She would like to illustrate children’s books. His ambition is to do more purely industrial design. Feels that’s an end in itself for an ambitious commercial artist. ...

(Other artists with Tudor City studios include Will Eisner, Gladys Parker, Milton Caniff, Joe Simon and Jack Kirby.) 

According to the 1940 census, Bailey (line 59) and her husband’s address was 264 Lexington Avenue in Manhattan. Also living with them was her mother-in-law. Bailey earned five hundred dollars in 1939. Bailey’s highest level of education was the fourth year of high school. However, More Heroes of the Comics (2016) said Bailey studied painting at the University of Detroit. 


On October 16, 1940, Scheiding signed his World War II draft card. His address was unchanged. Scheiding’s veteran’s file, at Ancestry.com, said he served in the Navy from October 15, 1943 to December 15, 1945.  


The Board of Elections in the City of New York, December 31, 1940, listed Bailey as a democrat: “Scheiding, Olive, 264 Lexington ave—D”. 

Scheiding was listed in the 1942 and 1949 Manhattan directories at 151 East 38th Street.

In 1945, Bailey illustrated three books published by Whittlesey House: The Land of the Lost by Isabel Manning Hewson; Mary Jo and Little Liu by Arthur A. Ageton; and Shadow Castle by Marian Cockrell. 

M.C. Gaines’ Educational Comics published nine issues of Land of the Lost Comics from 1946 to 1948. Most of the stories were written by Isabel Manning Hewson and drawn by Bailey. Their photographic portraits were published in the first issue

Courtesy of Mike Lynch Cartoons

Film World, May 1948, said 
Aesop’s Fables Filmstrips Near Release by Filmfax
New York—Filmfax Productions has in production series of six color filmstrips based on Aesop’s Fables.

Art work for series is being done by Olive Bailey, children’s illustrator. Series is scheduled for June 1 release. 
In the 1950 census, Bailey, a commercial artist, and her husband, an industrial designer, resided in Norwalk, Connecticut at 2 St. James Place (lines 6 and 7). 


Norwalk city directories from 1951 to 1958 listed the couple at Yarmouth Road on Bell Island. From 1960 to 1964 they were at St. James Place on Bell Island. Beginning in 1965, they were Darien, Connecticut residents at 143 Five Mile River Road.

Bailey’s father passed away on December 28, 1953. Her mother died on May 14, 1974. Fourteen months later was her husband’s death on July 20, 1975. His obituary was published in The Advocate (Stamford, Connecticut) and The New York Times on July 22, 1975. 


Bailey passed away on September 14, 1994 in Florida. An obituary appeared in the Sarasota Herald-Tribune. Her birthplace was incorrect. 

September 17, 1994

November 23, 1994


Further Reading and Viewing
Heritage Auctions, original art
Land of the Lost Comics #4, “The Undersea Pirates” and “The Forgettery
Land of the Lost Comics #6, cover, “Red Lantern Has Finfluenza” and “Red Lantern and the Ruby Cordia
Land of the Lost Comics #8, cover and “The Apothecary Shop
Land of the Lost Comics #10 (unpublished), “The Kitchenville Police” and “The Crocodile’s Den


Women in Comics Posts
Claire Szep (Updated April 17, 2023)


(Next post on Monday: A Few Details About Anahid Dinkjian, Artist)


Comics: Anahid Dinkjian, Artist

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March is Women’s History Month

Anahid Dinkjian was born on September 2, 1918, in Fairlawn, New Jersey, according to the Connecticut Death Index at Ancestry.com. 

In the 1920 United States Census, Dinkjian (line 53) was the youngest of four children born to John (line 47), a farm laborer, and Zohran, both Armenian immigrants. Dinkjian’s father’s brother was the head of the household. Also living with them was Dinkjian’s paternal grandmother. They lived in Caldwell, New Jersey on Two Bridges Road.


The 1930 census counted Dinkjian (line 84), her parents and siblings in West New York, New Jersey at 619 Washington Street. 


Dinkjian was a student at Memorial High School in West New York and graduated in 1936. Her first name was spelled with two Ns. Apparently she had been accepted at Cooper Union’s art program but her name did not appear in any of its yearbooks. One of her schoolmates was Charles Mazoujian who would enroll at Pratt Institute.


The Humanist yearbook
Charles Mazoujian (top)
Dinkjian (bottom)


According to the 1940 census, Dinkjian (line 26) lived with her parents and a brother in West New York at 441 17th Street. Her occupation was artist. 


Dinkjian has not yet been found in the 1950 census which was enumerated in April. 

The New Jersey Marriage Index, at Ancestry.com, said Dinkjian married Jack Kalajian in September 1950 in Union City. Her husband, a year younger, also lived in West New York as recorded in the 1950 census. Perhaps they knew each other at school. He was an electrical engineer. 

Dinkjian did mostly inking and some lettering on several Dell comic books in 1949, 1951 and 1952. The Grand Comics Database has a list. She was mentioned in Michael Barrier’s book, Funnybooks: The Improbable Glories of the Best American Comic Books (2015). 

The 1953 New York, New York city directory listed a Jack Kalajian at 204 East 118th Street in Manhattan.
 
The Catalog of Copyright Entries, Third Series, Volume 11, Part 1, Number 2, Books and Pamphlets, July–December 1957 said Dinkjian, as Anahid Kalajian, was involved with the Captain Kangaroo coloring book by Whitman Publishing, number 1154. (In 1958 the coloring book, with the same number, was revised with a new cover, and interior art by Michael Sekowsky.)

The 75th anniversary program of the Holy Cross Armenian Church of Union City, New Jersey, devoted several pages to its donors which included Dinkjian and her husband. 

Dinkjian’s husband passed away on August 24, 2008 in Greenwich, Connecticut. His address, on the death certificate, was 3203 Theall in Rye, New York. 

Dinkjian passed away on December 26, 2012, in Greenwich. She had the same address. 


Women in Comics Posts
Claire Szep (Updated April 17, 2023)


(Next post on Monday: Peter Dom, Letterer and Type Designer)

Lettering: Peter Dom, Cartoonist, Lettering Artist and Type Designer

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Cover courtesy of Jon B. Cooke

Peter Dom was born Peter Domboorajian on October 18, 1897, in Tehran, Persia, now known as Iran. His parents were Rev. Mihran Domboorajian and Shushan VartanArticles and photographs of his parents are at the Ann Arbor District Library

Bible Society Record, February 1911

Several books, as early as 1990, said Dom’s birth surname was Dombrezian. The Dombrezian name has not been found during Dom’s lifetime or on any government documents. It’s not known who or what was the source of the misspelling. Some of the books using Dombrezian are The LaserJet Font Book (1990), Typographic Milestones (1992), American Metal Typefaces of the Twentieth Century (1993), and American Type: Design & Designers (2004). 

A passenger list, at Ancestry.com, said “ten-year-old” Dom (line 5) was aboard the steamship Caronia when it departed Liverpool, England on May 31, 1910. He was accompanied by an uncle (line 3). Dom arrived in the port of New York on June 7, 1910. His destination was Petoskey, Michigan. 


Dom was in the class of 1917 at Ann Arbor High School in Michigan. He was listed in the Catalogue of the Ann Arbor High School for the Academic Year 1914–1915 and 1915–1916. Dom contributed illustrations and cartoons to the school’s yearbook, The Omega. The art was signed “Peter Dom”. 












The 1916 yearbook said 
Prizes were offered in the early part of the season for Drawings, Stories, Poems, Snapshots and Jokes, and the Editors were rewarded with an abundance of good material from which to make their selections. Of the three prizes for Drawings, Peter Domboorajian received first for his heading entitled Dramatics, ... 
The 1917 Ann Arbor, Michigan city directory listed Dom, a student, at 616 Church. 

On September 12, 1918, Dom signed his World War I draft card. His address was 163 East Ontario Street in Chicago, Illinois. He was described as slender build, medium height with gray eyes and black hair. Dom’s employer was Will Ransom. Print, October 1953, said Ransom “had a series of young apprentices, among the most promising of whom were Peter Dom and Edmond C. Hunt. …” 


The 1920 United States Census counted the Domboorajian family in Ann Arbor at 616 Church Street. Dom, line 26, was the fourth of seven siblings. He was an artist at Will Ransom’s studio. 


On July 12, 1923, Dom married Irma Haefeli in Cook County, Illinois, probably at Chicago. Sometime after the marriage Dom stopped using his birth surname, Domboorajian. 

Dom was the lettering and design instructor at the National Academy of Commercial Art. 

Chicago Daily News, August 27, 1924

Chicago Daily News, September 6, 1924

Chicago Daily News, September 17, 1924

Chicago Daily News, September 24, 1924

The Bulletin of the Art Institute of Chicago, January 1926, listed Dom’s wife as a new life member. 

Dom’s lettering credit was in the Chicago Chapter of the American Institute of Graphic Arts’ 1927 Exhibit of Fine Printing Produced in Chicago

Editor & Publisher, June 9, 1928, said 
Greene Studios Move
The Greene Studios have moved to 90 Carnegie Hall, Cleveland, O. Howard W. Strange, formerly with Burleigh Withers and Peter Dom, both of Chicago, have joined Greene and specializes in lettering and layout arrangements. 
The 1930 census listed Dom (line 86), his wife, son, Jay, and daughter, Ramona, in Chicago at 431 Oakdale Avenue. Dom was an artist in the advertising field.


In 1932 Dom moved to New York City. The New York Sun, October 5, 1932, said 
... E. R. Munn & Co., Inc., leased apartments in the Gilford, 140 East Forty-sixth street, to ... Peter Dom ...
Dom moved his family to Larchmont, New York. The New York Evening Post, September 15, 1933, said
The Houghton Company leased for Clement J. Todd his house at 39 Valley Road, in the Larchmont Woods section of Larchmont, to Peter Dom.
The Larchmont Times, June 27, 1935, said 
Mr. and Mrs. Peter Dom of Valley Road and their children have been spending the month of June at the Bevan and leave soon for their future home in Chicago, Ill.
The Larchmont Times, July 22, 1937, said
Mr. and Mrs. Peter Dom of 104 Edgewood Avenue, Town, returned last Wednesday with their children Jay and Ramona, from a stay of a week and a half in Chicago.
Dom (line 28), without his family, visited the Bahamas. He arrived in the port of New York on March 4, 1938. His address was 241 East 39th Street in Manhattan. 


Dom’s father passed away on June 9, 1939. 

The Daily Argus (Mount Vernon, New York) and Herald Statesman (Yonkers, New York), September 7, 1939, reported the following.
Woman Asks Alimony of $150 Weekly Until Divorce Suit Is Tried
White Plains—Asserting that her husband maintains an apartment in New York with another woman, Mrs. Irma Dom, of 1 Cedar Street, Bronxville has asked Supreme Court Justice Graham Witschief to award her temporary alimony of $150 weekly pending her divorce action from Peter Dom, nationally known commercial artist.

Mrs. Dom said five persons surprised her husband with the other woman at the apartment a short time ago. Mr. Dom asserts that the corespondent named is a business associate, and that they were preparing material for the publication of a magazine. Mrs. Dom places her husband’s income at more than $10,000 a year.

The couple were married in Chicago in 1923 and have two children, Ramona, who was graduated from Bronxville Junior High School last Spring, and a son who is a student in a North Carolina private school.
Dom has not yet been found in the 1940 census. The census said his former wife and two children resided in Bronxville, New York. Jay became a commercial artist while Ramona found work in comic books and the comic strip, Brenda Starr. In 1948 she married future New Yorker cartoonist Dana Fradon.

On February 16, 1942, Dom signed his World War II draft card. His address was Long Neck Road in Noroton, Connecticut. Dom was five feet seven inches, 155 pounds, with gray eyes and black hair. His second wife was Alice. Dom’s office, Peter Dom and Associates, was in Manhattan at 441 Lexington Avenue. One of the associates was his brother, Sam, who also shortened his surname to Dom.


Sam signed his card on October 16, 1940

Dom’s question (number three) was chosen for a Piel’s Beer advertisement printed in the Buffalo Evening News (New York), May 7, 1942.


According to John Lester’s Gas Light column, in the New Orleans Item (Louisiana), April 3, 1947, Dom was hospitalized in New Orleans.
... That Peter Dom, now re-cuping here in Baptist Hospital, is nephew to Vartan Dombourian and he came all the way from New York to be hospitalized because of the salesmanship job he got from certain Orleanians. Dom, by the way, is a big-time commercial artist in the Big Town ...
Dom’s mother passed away on October 9, 1947. 

According to the 1950 census, Dom (line 19) and Alice lived at 140 East 46th Street in Manhattan. He was a commercial artist working in advertising.


Dom’s first wife passed away on June 29, 1952. The Bronxville Review-Press (New York), July 2, 1952, said
Funeral services for Mrs. Irma Helen Dom, of 51 Parkway Road, who died Sunday in Lawrence Hospital after a short illness, were held Tuesday at the chapel of Ferncliff Cemetery. Mrs. Dom, who had made her home in Bronxville for the past fourteen years, was in her fifty-third year.

A native of Chicago, Ill., she was the daughter of Mrs. Louisa Haefeli and the late John Haefeli. 

In addition to her mother and a son, Jay R. Dom, both of Bronxville, she leaves a daughter, Mrs. Ramona Fradon of New York City.
Dom and his brother, Sam, created alphabets for Photo-Lettering, Inc. They were displayed in Photo-Lettering’s One Line Manual of Styles (1971).

Alphabets by Peter Dom

Pete Dom Twixt (Casual)
Pete Dom Sunny Light
Pete Dom Husky, Darky, Bias, Pisa, Tilt
Pete Dom Sunny Light Oblique
Pete Dom Grotesk Condensed 2
Pete Dom Grotesk Condensed 3
Pete Dom Grotesk Condensed 4
Pete Dom Grotesk Condensed 6
Pete Dom Grotesk Condensed 7
Pete Dom Grotesk Condensed 9, Grotesk Condensed 10
Pete Dom Franklin Gothic
Pete Dom Grotesia 2, Grotesk 2 (Sam Dom),
Grotesk 3, Grotesia 3, Grotesia 4, Grotesk 4
Pete Dom Grotesk 5, Grotesia 5
Pete Dom Grotesk 7, Grotesia 7, Grotesia 9,
Grotesk 9, Grotesia 10, Grotesk 10, Grotesk 11
Pete Dom Grotesk Italic 2, Grotesk Italic 3,
Grotesk Extra Bold Italic, Grotesk Italic 9
Pete Dom Duo 2
Pete Dom Duo 4, Duo 6, Duo 7
Pete Dom Gothic
Pete Dom Dominion 4, Dominion 6, Dominion 8,
Dominion 10
Pete Dom Grotesk Condensed Open A
Pete Dom Grotesk Shaded C, Grotesk Shaded A,
Grotesk Dropshadow B 
Pete Dom Grotesk Dropshadow D


Alphabets by Sam Dom

Sam Dom Opta Americana Condensed 5,
Opta Americana Condensed 6
Sam Dom Opta Americana Condensed 7
Sam Dom Opta Americana 3
Sam Dom Opta Americana 4, Opta Americana 5
Sam Dom Opta Americana 6, Opta Americana 7,
Opta Americana 8
Sam Dom Opta Americana 10
Sam Dom Opta Americana 11
Sam Dom Clarendon Condensed Italic 1, Clarendon
Condensed Italic 3, Clarendon Condensed Italic 5,
Clarendon Condensed Italic 7, Clarendon Condensed Italic 9 
Sam Dom Clarendon Italic 1, Clarendon Italic 3
Sam Dom Clarendon Italic 5, Clarendon Italic 7,
Clarendon Italic 9
Sam Dom Torino Italic 7, Milano Swash Italic 7,
Torino Swash Italic 7
Sam Dom Milano Italic 7
Sam Dom Torino Italic 7, Milano Italic 8, Torino Italic 8
Sam Dom Milano Swash 7, Torino Swash Italic 7,
Torino Swash Italic 9, Milano Swash Italic 9
Sam Dom Times-Opta 3, Times-Opta 4, Times-Opta 5
Sam Dom Times-Opta 6, Times-Opta 8, Times-Opta 10
Sam Dom Heritage Condensed 2, Heritage 2
Sam Dom Heritage Condensed 3, Heritage Condensed 7
Sam Dom Heritage 2, Heritage 3, Heritage 4
Sam Dom Heritage Classic Italic 2, Heritage Lining
Italic 2, Heritage Classic Italic 3, Heritage Lining Italic 3,
Heritage Classic Italic 4, Heritage Lining Italic 4
Sam Dom Grotesque Outline A

In Alter Ego #69, June 2007, Dom’s daughter, Ramona, was interviewed and answered a question about her father.
He was a freelance lettering man. He designed among other things, the Elizabeth Arden, Camel, and Lord and Taylor logos—ones you still see around. And what else did he do? He designed type faces: the Dom Casual font, among others.
In Comic Book Creator #13, Fall 2016, Ramona said in an interview:
My father was a commercial lettering man. He designed the Elizabeth Arden and Camel logos—some of the things that you still see around. I think Elizabeth Arden has a new one now, but they used my father’s version for years. He also lettered the Lord & Taylor logo ... lettering men like my father began to design fonts that were made into typefaces. So, instead of hiring a lettering man, they’d use these fonts, as they do today. My father designed the Dom Casual and other typefaces and everybody told him not to do it because it would put them all out of business. And it did.
Dom was featured on the cover of Good News!, October-November 1951, which said
A little more about Peter Dom, whose picture appears on the front cover. He was born of Armenian parentage in Tehran, Iran (Persia). He attended American missionary schools until the age of twelve, when he came to the United States. After graduating from the Chicago Academy of Fine Arts, Mr. Dom became a cartoonist and a commercial artist. Later he served an apprenticeship in lettering under Will Ransom, type designer. 
Mr. Dom has been free-lancing since 1925. He has been located in New York since 1932. He lives in Manhattan. His hobbies are golf, fishing and bridge.

He served with the Tank Corps of the United States Army in World War I. He is married and has a son and a daughter, both of whom are artists.
Print, January 1952, described the creation of Dom Casual. 
Dom Casual is answer to a hunch that a good market awaited the production of a type face resembling freehand lettering, such as is now commonly used in advertising headlines.

Having come to this conclusion, Steve Watts of American Type Founders set out to find the man best qualified to design such a type face.

Peter Dom was chosen because his many years’ experience in working with advertising agencies had helped him develop a natural talent for a free and easy style of hand lettering. It has been used by numerous national advertisers.

A photo alphabet of some of Mr. Dom’s best free-hand letters was studied by members of the Advertising Typographers Association and also submitted to the National Board on Printing Type Faces. Both groups approved the letter designs. So Dom Casual was born.

It would have taken a minimum of two years to make the pattern plates and matrices for the six sizes of Dom Casual now available if the usual method had been employed. Walter Russ developed a new method of making pattern plates from which matrices are cut. This involves the use of well known etching techniques, which, have not heretofore been used in making pattern plates.

The method permits a far more faithful reproduction from the artist’s original drawings, and reduces the time required to make the plates and matrices from years to months. …
Print, June–July 1954, explained Photo-Lettering Inc.’s role in Dom Casual’s creation. 
... By photographing alphabets on glass plates, Photolettering has been able to accumulate more alphabet styles—some 3000 of them—than is available in so compact and small a space anywhere else in the world. The making of new plates, and testing commercial uses for given alphabet styles, has become a major facet of Photolettering’s day to day operations. One day in 1950, Photolettering got a call from the American Type Foundry concerning a new alphabet design by Peter Dom that had been in use for about a year in Photolettering projects. The type foundry wanted Photolettering to select a variation of this style (“Dom Twixt”) [below], which would have the best qualities for being cut into a standard type face. Prints of several letters so selected were sent to the type foundry, which cut metal type after the photolettered copies and decided to negotiate with the designer for permission to cut the entire alphabet. Satisfactory terms were arrived at (this letter is known as ATF’s “Dom Casual”) and today Photolettering, Inc., has become a testing ground for type foundries not only in the United States but in Europe as well. ...

Notice of Dom Casual’s availability was printed in Printing Equipment Engineer, September 1951; The Inland Printer, October 1951; The Photo-Lithographer, October 1951; and The Reporter of Direct Mail Advertising, October 1951.

The release of Dom Diagonal was announced in Graphic Arts Monthly, September 1952; The Inland Printer, September 1952; Advertising Age, September 1, 1952; and Printing Equipment Engineer, October 1952. 

Dom Bold was available in 1953 according to Advertising Requirements, October 1953; Art Director & Studio News, October 1953; and Printing Equipment Engineer, October 1953. 

The Official Gazette of the United States Patent Office, June 29, 1954, published patent applications for Dom Casual and Dom Diagonal.



The Inland Printer, February 1952, profiled Dom. Dom was a subject in American Printer, November 1952. The article said he had worked at J.M. Bundscho

Dom was mentioned in Art Director & Studio News, October 1955 (advertisement); The Inland Printer, August 1956; Art Direction, May 1957 (advertisement below included his son, Jay); Art Direction, January 1958; Art Direction, July 1959; and Art Direction, March 1960 (advertisement). 


Dom’s cover lettering credits were in the Catalog of Copyright Entries, Third Series, Volume 10, Part 1, Number 2, Books and Pamphlets, July–December 1956, and the Catalog of Copyright Entries, Third Series, Volume 12, Part 1, Number 1, Books and Pamphlets, January–June 1958 here (Rainy Day Fun below) and here.


Dom’s lettering for a Lipton Soup advertisement was featured in Letter Design in the Graphic Arts (1960). 

Dom was mentioned in the Official Gazette of the United States Patent Office, February 7, 1961.
List of Design Patentees
Dom, Peter, to F. P. Mitten. Font of three-dimensional display letters. 189,784. 2–7–61. Cl. D64—12. 
At some point, Dom was in Los Angeles, California, where his son lived. Dom passed away on April 19, 1962. He was laid to rest at the Los Angeles National Cemetery. Art Direction, July 1962, said 
Peter Dom, Lettering Artist/Type Designer, 65. Born in Tehran, Persia, he arrived here in 1912 [sic]. He designed alphabets and “Dom Grotesque” for Photo Lettering Inc., and “Dom Casual” for American Type Founders.

Dom’s brother passed away on July 30, 1994 and laid to rest at Washtenong Memorial Park and Mausoleum. The Miami Herald (Florida) August 3, 1994, said 
Dom, Samuel Paul born 1910 passed away July 30, 1994. Husband of the late Beverley; Uncle to Jay Dom, Richard Atamian of California; Rucha Robinson of Paris, France; Elizabeth Watson, Ramona Fradon of New York; Donald Ronald and Robert Haig as well as Robert Atamian of Michigan and to the many friends in the Miami area and Miami Beach area. God’s care and rest well friend.
Ann Arbor High School, 1927

Dom’s son passed away on October 4, 1997. The Statesman Journal (Salem, Oregon), October 7, 1997, said 
Silverton—Jay Dom, 72, died Saturday. The cause of death was unavailable. 

He was born in Chicago and served in the Army during World War II. He owned a commercial art business in California for 30 years, retiring in 1985. He was president of Western Advertising Golfers and enjoyed bowling, playing pool and his dog, Norman. His wife, Judy, whom he married in 1957, died in 1974. 

Survivors include his daughters, Andrea Ralston of Longmont, Colo., Heidi Dom of Ventura, Calif., Lucie Olson of Silverton; son, Peter; sister, Mony Fradon of New York; and many stepgrandchildren. Memorial services will be held later. Arrangements are by Unger Funeral Chapel in Silverton.
Bronxville High School, 1943

Dom’s daughter passed away on February 24, 2024. An obituary appeared in The New York Times, February 29, 2024. 

Bronxville High School, 1944


Further Reading and Viewing
Dom’s fonts are mentioned in the following pre-1990 books.
Pen & Brush Lettering & Alphabets: 50 Alphabets arranged in eight sections for students & designers (1970) 


Related Posts


(Next post on Monday: Lee Maroshek, Designer, Letterer, Draftsman and Architect)


Comics: Lee Maroshek, Designer, Letterer, Draftsman and Architect

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1942

Lee Maroshek was born Julius Leo Maroshek on March 20, 1912, in Rosahegy, Hungary, according to his World War II draft card and naturalization application. The spelling of his family name changed from Marossek (1915) to Maroschek (1940) to Maroscheck (1942) to Maroschek (1950) to Maroshek.

On May 29, 1915, Maroshek (line 14), his mother and three siblings were aboard the steamship Nieuw Amsterdam when it departed from Rotterdam, Netherlands. They family arrived in the port of New York on June 12, 1915. The final destination was Plainfield, New Jersey where Maroshek’s father lived. 


On September 12, 1918, Maroshek’s father signed his World War I draft card. His address was 1429 Willever Street in Plainfield.

The 1920 United States Census said Maroshek (line 30) was the third of six children born to Andrew and Susanna. The family resided in Plainfield at 1429 Willever Street. His father worked as a machinist at a machine shop.


Sometime after the census, Maroshek’s parents divorced. 

According to the 1930 census, Maroshek’s mother had remarried to Otto Veith who had three children. His stepchildren included eighteen-year-old Maroshek, thirteen-year-old Emilie, and eleven-year-old Bertha. The family lived in Morrisville, Pennsylvania at 501 West Bridge Street. Maroshek (line 68) was a designer at a tile mill. Information about his art training has not been found.


Maroshek’s father remarried in 1931. 

Maroshek looked for work in New York City. He was a letterer at Harry “A” Chelser’s comic book shop between 1936 and 1940. Editor & Publisher, March 20, 1937, said
There are 11 cartoonists in the 22-man organization. Three men do nothing but lettering for the artists, and special features writers prepare the continuity.
It’s possible he was one of the three letterers. Lettering was a steppingstone in Maroshek’s larger ambitions.

Maroshek has not yet been found in the 1940 census which was enumerated in April. His mother and her family lived in Trenton, New Jersey. Maroshek’s sister’s household included their father, a widower. Emily was married to David Atchley. They had two daughters and resided in Ewing, New Jersey. 

On September 16, 1940, Maroshek signed his World War II draft card. His address was Ridge and Mary Streets in Trenton, New Jersey. He was unemployed. Maroshek’s description was five feet eleven inches, 155 pounds, with blue eyes and brown hair. He named his mother as next of kin.


In early 1941 Maroshek began the naturalization process at Los Angeles, California. When proof of his arrival in the United States was received, Maroshek filed the Declaration of Intention application on March 2, 1942. He was a draftsman who lived at 1295 Mullen Avenue in Los Angeles.


Maroshek filed the Petition for Naturalization on April 27, 1944. The draftsman’s Los Angeles address was 1817 South Bronson Avenue.


The California County Marriage Record, at Ancestry.com, said Maroshek married Ellen M. Nicholson on January 3, 1945.

Maroshek’s wife was a California native and registered voter. The 1948 voter registration, at Ancestry.com, said she was a Democrat who lived in Los Angeles at 1310 South Wilton Place.

The 1950 census, enumerated in early April, counted Maroshek (line 1), his wife and son, Nicholas, in Belvedere, California at 4225 Mandalay Drive. Maroshek was a self-employed architectural draftsman. 


Maroshek was naturalized on November 17, 1950.


The 1952 California voter register listed Maroshek at 4219 South Layman Avenue in Los Angeles. He did not state his party affiliation. The 1960 voter register said he was a Democrat whose address was unchanged.

Los Angeles Times, August 16, 1953
Designed by Architect W. L. Schmolle and associate, L. J. Maroshek

Los Angeles Times, June 5, 1955
Designed by Lee Maroshek

The 1963 and 1969 Arcadia, California city directories listed architect Maroshek at 650 Beverly. The 1970 Monterey Park, California city directory said he lived at 422 North Garfield Avenue.

The Trenton Evening Times (New Jersey), September 15, 1959, said Maroshek’s mother passed away on September 11. She was laid to rest at Media Cemetery. His father passed away in 1963 and was laid to rest at Saint Alphonsus Roman Catholic Cemetery

Maroshek passed away on April 21, 2004 in West Covina, California. The Los Angeles Times, April 25, 2004 published an obituary. 
Maroshek, Leo J. 
Born March 20, 1912 in Hungary, and passed away April 21, 2004 in West Covina, CA. He is survived by daughters, Susan Irtenkauf, Connie and Elizabeth Maroshek, sons Patrick and Nick Maroshek, sisters, Emily, Bertha, Matilda and Ann Maroshek, eight grandchildren and one great-grandson. Memorial Mass Thursday, 1:00 PM, at Queen of Heaven Mortuary, 2161 So. Fullerton Rd., Rowland Heights. Interment at St. Alphonsus Catholic Church Cemetery in Hopewell, New Jersey.
Maroshek’s wife passed away on February 29, 2020. She was laid to rest at Sacramento Valley National Cemetery


Related Posts











(Next post on Monday: 1933 Syllabus Yearbook)

Lettering and Typography: 1933 Syllabus Yearbook

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Northwestern University
Evanston, Illinois
























































(New post on Monday: Corinne Boyd Dillon, Illustrator)

Comics: Corinne Boyd Dillon, Illustrator

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Corinne Boyd Dillon was born on January 23, 1885, in Louisville, Kentucky according to her Social Security application at Ancestry.com. She was the only child of Michael Edward Dillon and Loula Rees, both Irish immigrants. In the 1880 United States Census, the couple were Louisville residents at 205 Third Street. Dillon’s father was in the dry goods business. 

Young Wings was a book club publication for young adults. The August 1949 issue published a profile of Dillon who said in part
I was born in Louisville, Kentucky, where my ancestors migrated soon after Daniel Boone opened the way. My parents left Kentucky when I was still a child, and we spent some years in Minneapolis, Chicago, and New York, which finally became our home. Here I studied art under the famous C. V. Sanborn. My work has appeared in magazines, newspapers, and books. 
The 1900 census counted Dillon and her mother in Manhattan, New York City at 33 West 65th Street. Dillon was an art student. 


The 45th Cooper Union Annual Report, May 28, 1904, listed the recipients of diplomas and prizes. In the Woman’s Art School, Dillon received the silver medal in Drawing for Illustration. On May 29, 1904, the New York Herald and New York Tribune reported the commencement of Cooper Union. The school’s president presented the prizes and diplomas. Dillon received a silver medal. A profile of Dillon appeared in the Denver Post, July 31, 1904. 


Dillon was featured in Broadway Magazine, September 1904, “The Girl Art Student in New York”. 

In the 1905 New York state census, Dillon and her parents were residents of the Bronx at 688 East 138th Street. Dillon was an artist. 


On October 19, 1909, Dillon returned to New York from London. 

The 1910 census counted Dillon and her parents in Manhattan at 2 West 101st Street. Dillon was an artist in the theatre trade. 


Some of her early work appeared in The Graphic, July 9, 1910; The Housewife, November 1910; Woman’s Home Companion, January 1912, November 1912 and October 1913; and The Designer, February 1914. 

Dillon’s father passed away on May 14, 1913. Almost a year later, her mother passed away on March 1, 1914. Both were laid to rest at Owenton IOOF Cemetery. 

In Young Wings, Dillon said 
At the end of World War I, my husband and I went to France, living there for four years. In Paris I bought Poilu, an Alsatian shepherd dog. He was a real person with a keen sense of fun. He lived to be over thirteen years old.

Another pet which lived to great age was my canary. He would fly to the top of my head whenever he was let out of the cage. He scorned the small bird bath, plainly showing his preference for a soup plate, where he could get a thorough drenching. That done, he would flutter up to my shoulder, and there he would shudder, shake his wings, preen, and perk until quite dry. If I turned to look at him while he was making his toilet, he would give me a peck on the cheek, as if to say, “Privacy, please.” 
Her marriage was mentioned in The Story of Martha Washington (1954). Apparently Dillon married Ernest Eugene Adt before his signed his World War I draft card on June 5, 1917. Adt was a fashion artist who worked for the Butterick Company. The couple lived in Manhattan at 127 West 82nd Street. The date and place of their marriage is not known. 


On August 8, 1919, Dillon and Adt applied for a passport. Their application was accompanied by a letter from Butterick confirming their assignment. Dillon stated her birth year as 1890 instead of 1885. 




A passenger list recorded the October 2, 1919 arrival in Liverpool, England. Dillon’s first name was listed erroneously as Connie.


On February 8, 1922, Dillon was aboard the steamship Aquitania when it arrived in the Port of New York from Southampton. The passenger list said her address was Plainfield, New Jersey. 

Dillon has not been found in the 1925 New York state census. 

Her career was primarily in magazine illustration. Dillon’s clients included Cosmopolitanhere and here; The Ladies’ Home Journal; McClure’s Parents’ Magazinehere  and here; Photoplay; The Saturday Evening Post; Smart Set; and This Week

Dillon’s book jacket for May Fair: The Ace of Cads and Other Stories published by Grosset & Dunlap in 1925. 


The Eastern Edition of Advertising Arts and Crafts, Volume II (1926) listed Dillon at 1060 Park Avenue.  The 1927 edition featured a full-page illustration on page 419 and the same address. 

In 1927, Dillon illustrated at least three Feen-a-mint advertisements: “Beauty Is Health’s Reward” aka “Beauty—the Reward of Health”, “Grandmother Is Still Dancing”, and “Opportunity Never Knocks at a Sickroom Door”. 


The 1930 census recorded Dillon in Manhattan at 170 East 78th Street. She was a self-employed artist and single. Her former husband was a furniture salesman.


The New York Evening Post, June 16, 1931, published a photograph of Dillon. 


The Buffalo Evening News, August 25, 1933, published O.O. McIntyre’s column, New York Day by Day, who wrote “… Corrine [sic] Boyd Dillon, the artist, and her dog. …”

The New York Sun, October 6, 1932, reported leases in various neighborhoods: “Bing & Bing, Inc., leased apartments in ... 299 West Twelfth street to ... Corine [sic] Boyd Dillon …”


The article mentioned 2 Horatio Street which would be in Dillon’s future. 

On June 3, 1937, Dillon returned from Bermuda. Her address on the passenger list was 299 West 12th Street, New York City. The New York Times, June 19, 1937, said Dillon signed a lease for 2 Horatio Street. 

Dillon has not been found in the 1940 census. 

The Board of Elections in the City of New York, List of Enrolled Voters for the Year 1941–1942, Borough of Manhattan, December 31, 1941, listed Dillon at 2 Horatio Street. 

In the 1940s, Dillon contributed to comic books published by Parents’ Magazine Press

Real Heroes #6, September 1942, The Blind Man Who Saw
Calling All Girls #19, June-July 1943, The Traipsin Woman
Calling All Girls #22, October 1943, She Traveled the Underground
Calling All Girls #23, November 1943, Trouping with the Troops
Calling All Girls #25, January 1944, All’s Well That Ends Well
Calling All Girls #27, March 1944, Backstage with the Rockettes
Calling All Girls #31, July-August 1944, Allies in the Pines
Calling All Girls #32, September 1944, Underwater Wave
Calling All Girls #36, January-February 1945, Boast of Brazil
Calling All Girls #37, March 1945, Double Exposure Mystery
Calling All Girls #40, June-July 1945, Gap in the Wall
True Comics #45, Fall 1945, Delaying Action
Polly Pigtails #7, August 1946, Country Courage
Sweet Sixteen #8, August 1947, The Poor Fish

Dillon’s former husband passed away in 1947. 

Dillon was at the same address in the 1950 census. She was a portrait artist who also illustrated several books including Hi, Barney!, Kentucky Derby Winner, The Story of Florence Nightingale, The Bible Story, Volume 3 here and here, and Friends Near and Far: Pupil’s Book


Dillon passed away on July 29, 1965, in Manhattan, New York City. She was laid to rest with her parents. 


Further Reading
The Gilded Times, Nine Cities, Nine Styles: A Fashion Designer’s Travel Log Dated 1926 




(Next post on Monday: Hal Jordan asked Carol Ferris, “Chinese tonight?”)





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